搜尋:fu

符合的藏品

元王蒙秋山草堂圖 軸

元王蒙秋山草堂圖 軸

of Wu-hsing, Chekiang. The grandson of the famous artist Chao Meng-fu (1254-1322), he successfully.....more

1651/12159
元趙雍採菱圖 軸

元趙雍採菱圖 軸

that of Chan Meng-fu (1254-1322). Water chestnut boats gracefully scurry back and forth over the river.....more

1652/12159
元趙雍春郊遊騎圖 軸

元趙雍春郊遊騎圖 軸

, Chekiang. The son of Chan Meng-fu (1254-1322), he also achieved fame in painting.....more

1653/12159
元唐棣倣郭熙秋山行旅 軸

元唐棣倣郭熙秋山行旅 軸

studied under Chao Meng-fu, being influenced by his rich and archaic style. This wintry setting.....more

1654/12159
元王蒙東山草堂圖 軸

元王蒙東山草堂圖 軸

Meng-fu, he successfully absorbed Chao's methods, yet was able to develop his own style, eventually.....more

1655/12159
元王蒙谿山高逸 軸

元王蒙谿山高逸 軸

painter Chao Meng-fu (1254-1322) anddiligently studied as a youth. Wang Meng's painting style followed.....more

1656/12159
元趙孟頫古木散馬圖 卷

元趙孟頫古木散馬圖 卷

公麟。 原野秋深,古木下散馬兩匹,無鞍韉之累,狀極幽閒自適。全幅以白描法為之,用筆古勁秀逸,流暢而有力,造景新奇蕭疏,具文人畫氣息。&*Chao Meng-fu was an 11th.....more

1657/12159
元人上林羽獵圖 卷

元人上林羽獵圖 卷

-lin fu), describing how the prince went hunting in the imperial forest. In this painting, the artis.....more

1658/12159
明仇英園林清課圖 軸

明仇英園林清課圖 軸

Dynasty One of the "Four Great Masters" of the Ming dynasty, Ch’iu Ying (style name; Shih-fu.....more

1659/12159
明劉度仿趙承旨長春翠柏 軸

明劉度仿趙承旨長春翠柏 軸

by the mossy rock. Said to be after a work by Chao Meng-fu (1254-1322), the brushwork and coloring here.....more

1660/12159
明文伯仁五月江深圖 軸

明文伯仁五月江深圖 軸

and title of this painting is derived from a line of poetry by Tu Fu (712-770) which reads.....more

1661/12159
明徐渭榴實 軸

明徐渭榴實 軸

he mastered the running-cursive style of Mi Fu. An outstanding painter, he produced superb.....more

1662/12159
明陸師道臨文徵明吉祥庵圖 軸

明陸師道臨文徵明吉祥庵圖 軸

of the works of Chao Meng-fu (1254-1322). 本幅 90.7x40.9公分、全幅 66公分 明神宗萬曆九年(1581) 類型:繪畫 型式:靜態圖像 陸師道 數位化執行單位.....more

1663/12159
明仇英柳塘漁艇 軸

明仇英柳塘漁艇 軸

return to a serene rural existence. Ch’iu Ying (whose style-name was Shih-fu and sobriquet, Shih-chou.....more

1664/12159
明唐寅花溪漁隱圖 軸

明唐寅花溪漁隱圖 軸

was written in the style of Chao Meng-fu (1254-1322) and is related to that on Conversation in the Women’s.....more

1665/12159