搜尋:brush

符合的藏品

宋人畫童真像 軸

宋人畫童真像 軸

,據此則知本幅所繪實即文殊師利像也。&*This painting, done in brush and ink with a slight touch of clear colour.....more

421/726
清鄒一桂畫藤花 軸

清鄒一桂畫藤花 軸

position in even a small way. Thus he used the brush very precisely and applied color sumptuously.....more

422/726
清董邦達仿倪瓚?林含秀 軸

清董邦達仿倪瓚?林含秀 軸

a dry brush and describing rocks and mountains with dry and withered texture strokes. The range.....more

423/726
清鄒一桂秋塘釣艇圖 軸

清鄒一桂秋塘釣艇圖 軸

of flowers, his landscapes are also quite good. In this painting, the artsist used the free-style brush.....more

424/726
清程志道眉香萬年 冊

清程志道眉香萬年 冊

works are most distinctive and his use of the brush is very precise and meticulous. The ts’un strokes.....more

425/726
清李培雨畫牡丹 冊 牡丹(五)

清李培雨畫牡丹 冊 牡丹(五)

.” The application of the brush and washes are gentle but not turbid, flowing yet not outlining the motifs. All.....more

426/726
宋夏珪雪屐探梅圖 軸

宋夏珪雪屐探梅圖 軸

with an exposed brush tip probably was executed by a later artist working in the style of Hsia Kuei.....more

427/726
清沈荃書唐人早朝詩 軸

清沈荃書唐人早朝詩 軸

during which the scholar and emperor discussed the art of calligraphy. Shen used his brush to demonstrate.....more

428/726
宋李唐炙艾圖 軸

宋李唐炙艾圖 軸

rendered using a centered brush to make fine yet powerful strokes in a technique known as “nail-head.....more

429/726
清程志道摹丁雲鵬羅漢 卷

清程志道摹丁雲鵬羅漢 卷

of the brush was fine and strong, his application of color was elegant and not vulgar and he.....more

430/726
明董其昌書千文 冊

明董其昌書千文 冊

on account of its rawness." The calligraphy of this album combines the brush method and character.....more

431/726
明董其昌書千文 冊

明董其昌書千文 冊

learned from the virtues of various masters. In his later years he combined the brush manners.....more

432/726
明人便面畫冊(三) 冊 明陳遵秋英寒蝶

明人便面畫冊(三) 冊 明陳遵...

influence on later generations. On this painting, the ink color is fluid, the use of the brush free.....more

433/726
明人便面集錦 冊 明陳栝芭蕉紫薇

明人便面集錦 冊 明陳栝芭蕉紫...

painting style. His brush flew with force, demonstrating considerable vitality. This leaf.....more

434/726
明劉炤蘆雁圖 軸

明劉炤蘆雁圖 軸

Liang (fl. latter half of 15th c.), whose brush and ink was free and unrestrained. Lü Chi (fl.....more

435/726