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符合的藏品

花卉畫冊 冊 明陳繼儒梅花

花卉畫冊 冊 明陳繼儒梅花

to fall outside the rigld rules of brush and ink.” &* 陳繼儒,字仲醇,外號糜公(一作眉公),江蘇華亭人,生於世宗嘉靖三十七(公元一五五八)年,卒於思宗.....more

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明沈周策杖圖 軸

明沈周策杖圖 軸

and hoary brush strokes, however, clearly reveal Shen’s own style. The style of Shen’s inscription here.....more

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明沈周蒼?高話圖 軸

明沈周蒼?高話圖 軸

been indicated with a slanted brush. The mountains and trees are placed in a clear spatial.....more

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清王時敏倣王蒙山水 軸

清王時敏倣王蒙山水 軸

. The rocks and mountains are drawn in fine “ox hair” texture-strokes applied with a dry, firm brush.....more

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清惲壽平畫山水 軸

清惲壽平畫山水 軸

with a blunt brush to render scenery along the banks of a stretch of water. The atmosphere appears.....more

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五代南唐巨然溪山林藪圖 軸

五代南唐巨然溪山林藪圖 軸

but was attributed to Chü-jan. The use of the brush and ink, however, is closer.....more

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宋十二名家法書 冊 黃庭堅荊州帖

宋十二名家法書 冊 黃庭堅荊州...

are forceful and slanting with forms spread out, much in Huang's unique style. The brush method.....more

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明文徵明蘭亭修禊圖 軸

明文徵明蘭亭修禊圖 軸

trees. Wang Hsi-chih is at a table holding a brush, while the gathered guests appear along the stream.....more

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宋人法書(四) 冊 張即之致殿元學士尺牘

宋人法書(四) 冊 張即之致殿...

. The characters vary between dense and separated, and the use of the brush appears.....more

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清沈荃書桃李園序 軸

清沈荃書桃李園序 軸

). Although in regular script, the individual strokes have some of the fluid brush manner associated.....more

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清陳字文房集錦 冊

清陳字文房集錦 冊

of conventional painting for the pure beauty of brush and ink. &*1.劉芳如,〈清陳字嬰戲鍾馗〉,收入國立故宮博物院編輯委員會編,《迎歲集福.....more

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宋郭忠恕摹顧愷之蘭亭讌集圖 卷

宋郭忠恕摹顧愷之蘭亭讌集圖 卷

). The first section represents Wang Hsi-chih sitting at a table holding a brush in the Orchid Pavilion.....more

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明人畫扇集冊上? 冊 明沈周樹陰垂釣 

明人畫扇集冊上? 冊 明沈周樹...

wielded the brush with force and bluntness, using rich, thick ink. His works convey a quality.....more

478/726
民國于右任行書 軸

民國于右任行書 軸

with many angular strokes that give it the strong brush manner of Wei dynasty steles. It does not yet.....more

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民國臺靜農臨石門摩崖 軸

民國臺靜農臨石門摩崖 軸

clerical script brush force coming from the Shimen Eulogy. The original stone engraving used.....more

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