宋人畫童真像 軸
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- 資料識別：
- 故畫001308N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 主題與關鍵字：
- 菩薩 文房用具
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 52.5x26公分、全幅 59公分
- 關聯：
- 秘殿珠林續編﹝清乾宮﹞，頁94&*故宮書畫錄﹝卷五﹞，第三冊，頁132&*故宮書畫圖錄，第三冊，頁45-46&*墨筆畫童貞像，微以淺色漬染，披髮持經，衣編蒲之衣，筆意靜穆之甚。 按傅亮文殊師利?貝云：在昔龍種，今也童貞。又維摩詰所說經文殊師利問疾品第五，佛遣文殊師利詣維摩詰問疾，於是同諸菩薩入毗耶離城，與維摩詰往返辯論。本幅題句云：法門不二無言說，慚愧毗耶彼上人，據此則知本幅所繪實即文殊師利像也。&*This painting, done in brush and ink with a slight touch of clear colour, depicts a T'ung-chen. Holding a sutra-scroll, he has long unravelled hair and wears a garment of plaited reeds. The mood is estremely quiet and solemn. According to the "Encomium to Mañjušrí” by Fu Liang (5th century A.D.), "The Manjusri of former times is now a monk who has reached the stage of child-1ike innocence T'ung-chen."In the Vimalakírti-nirdeša sûtra (part I I, ch.5) it is related how the Buddha sent Mañjušrí to enquire after the health of Vimalakírti. Mañjušrí and all the bodhisattvas went to his home in Vaisâlí, India, and held a great debate with him. The inscription on this painting says, "Vimalakírti says nothing to illustrate the buddhist principle of non-duality. Mañjušrí is shamed by the holy man of Vaisâlí." This tells us that this is a portrait of Mañjušrí.
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
