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集珍壽古 冊 元王振鵬飛閣觀潮

集珍壽古 冊 元王振鵬飛閣觀潮

-p'eng's style name was P'eng-mei, and he came from Yung-chia (Wen-chou), Chekiang. His birth.....more

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宋仁宗后坐像 軸

宋仁宗后坐像 軸

and personality of the figure indicates this was not done from the artist's imagination. Furthermore.....more

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清蔣木?鼎松竹梅 軸

清蔣木?鼎松竹梅 軸

known is Chiang Ting’s grandfather, Chiang T’ing-hsi, and father, Chiang P’u. Pine, bamboo.....more

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明惲向仿巨然山水 軸

明惲向仿巨然山水 軸

ün Hsiang was styled Pen-ch’u; his sobriquet was Hsiang-shan Weng. During the Ch’ung-chen reign.....more

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元郭畀寫高使君意 軸

元郭畀寫高使君意 軸

ün-shan) was from Tan-t'u, Kiangsu. He served as a provincial-level official in Kiangsu.....more

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明戴進畫紈牛 軸

明戴進畫紈牛 軸

country of P’u-lu during the Chou dynasty. The herdsman’s curly hair and beard, his prominent forehead.....more

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明張瑞圖書後赤壁賦 冊

明張瑞圖書後赤壁賦 冊

四大書家。 張氏用筆多方硬側鋒,筆畫拙重,筆勢多呈橫勢。其字體結構嚴密,排列成狹窄的縱行,行間空白很寬,頗具鮮明個人特色。此卷筆力勁健,轉折尖銳,堪稱新穎奇特。&*Chang Jui-t'u.....more

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明商喜戲貓圖 軸

明商喜戲貓圖 軸

of P’u-yang, Hopei province. His style name was Wei-chi. During the Hsüan-te period (1426-1436.....more

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清鄒一桂畫藤花 軸

清鄒一桂畫藤花 軸

of the Hsiao-shan hua-p’u, a book on painting theory. In flower painting he began by following the “boneless.....more

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明欽揖千巖萬壑圖 軸

明欽揖千巖萬壑圖 軸

distinctive. Furthermore, while the historical records compare Ch’in Chi’s calligraphy to that of Ou-yang.....more

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明杜堇玩古圖 軸

明杜堇玩古圖 軸

Chin was a native of Tan-t'u (modern Chen-chiang, Kiangsu) but later resided in Nanking.....more

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明項德新秋江雲樹圖 軸

明項德新秋江雲樹圖 軸

and connoisseur Hsiang Yüan-pien. His style name was Fu-ch’u. He excelled at painting landscapes.....more

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明沈周參天特秀 軸

明沈周參天特秀 軸

to the inscription on Lin P’us calligraphy written three years earlier. The characters 我and 有.....more

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明吳彬畫羅漢(第四嘎禮嘎尊者) 軸

明吳彬畫羅漢(第四嘎禮嘎尊者)...

(2004年秋),頁99-143。 &*  吳彬(活動於西元一五六八至一六二七年),字文仲,福建莆田人,流居金陵(今南京)。能書善畫,畫山水、佛像、人物皆能自立門戶,造形奇異迥別於前人。山水布置亦新奇而不摹古.....more

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明施餘澤拜石圖 軸

明施餘澤拜石圖 軸

笏禮拜之。&*Shih Yu-tse, whose style name was P'u-lin, was from Peking. His landscapes were elegant.....more

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