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符合的藏品

清王鑑臨王蒙松陰丘壑 軸

清王鑑臨王蒙松陰丘壑 軸

in the style of Wang Meng. Although the idea of the painting was copied, Wang Chien still was able.....more

1456/1620
清王鑑倣趙孟頫茂林蕭寺圖 軸

清王鑑倣趙孟頫茂林蕭寺圖 軸

the “Southern School.” After the middle Ming, Ch’iu Ying’s blue-and-green style rose in popularity.....more

1457/1620
清王翬倣王蒙夏山讀書圖 軸

清王翬倣王蒙夏山讀書圖 軸

are typical of Wang Hui’s style. He painted the waters streaming down into a valley where a furious.....more

1458/1620
清惲壽平竹石枯槎圖 軸

清惲壽平竹石枯槎圖 軸

and creating a new style, he became a leader in the genre. Yün Shou-p’ing’s works are characterized.....more

1459/1620
清王原祁雲壑流泉圖 軸

清王原祁雲壑流泉圖 軸

of dry and rubbed brush style. Bland ink and roasted ink are juxtaposed in layers to add depth.....more

1460/1620
五代南唐李坡風竹 軸

五代南唐李坡風竹 軸

of painting with scorched ink is quite similar to the style used in the Yuan dynasty, suggesting this work.....more

1461/1620
元王蒙芝蘭室圖 卷

元王蒙芝蘭室圖 卷

潤;山石樹木層??充塞滿幅,有古雅拙撲之趣。&*Wang Meng (style name Shu-ming, sobriquet "Woodcutter of Yellow Crane.....more

1462/1620
清花卉畫冊 冊 清惲壽平花卉

清花卉畫冊 冊 清惲壽平花卉

Changzhou) in Jiangsu, studied the "boneless" style of wash painting practiced by the Northern Song.....more

1463/1620
清沈宗敬雙松圖 軸

清沈宗敬雙松圖 軸

(style names Keting, Nanji; sobriquet Shifeng) was a native of Huating (modern Shanghai in Songjian.....more

1464/1620
宋陳居中蘇李別意圖 卷

宋陳居中蘇李別意圖 卷

reign (1201-1204) of Emperor Ningzong. Judging from the style, the archaic coloring of this painting.....more

1465/1620
董邦達柳浪聞鶯御題 軸

董邦達柳浪聞鶯御題 軸

and a high official at court. In painting, he followed the style of Tung Ch’i-ch’ang, achieving.....more

1466/1620
明宣宗坐像(一) 軸

明宣宗坐像(一) 軸

with coiled-dragon patterns. The painting style is quite realistic throughout and the angles.....more

1467/1620
清禹之鼎擬趙千里山水 軸

清禹之鼎擬趙千里山水 軸

有如一派人間仙境。趙伯駒為南北宋之間的青綠山水畫名家,後世頗多畫家倣效。本幅重設色,輪廓處用泥金勾勒,這是典型的青綠法。&* Yü Chih-ting (style name Tzu-chi.....more

1468/1620
清張仲學畫歲朝鍾馗 軸

清張仲學畫歲朝鍾馗 軸

combined the above two traditions into one. The style appears similar to that of Che School painters.....more

1469/1620
明人百祿圖 卷

明人百祿圖 卷

and good luck. This work is unsigned, but the subject and style suggest the hand of a court painter.....more

1470/1620

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