搜尋:style 在 繪畫 分類當中

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清朱若極梅竹 軸

清朱若極梅竹 軸

。 &* Shih-t’ao, a native of Kweilin in Kwangsi, was the style name of Chu Juo-chi. A Ming imperial.....more

1381/1620
元吳鎮嘉禾八景 卷

元吳鎮嘉禾八景 卷

that complements the mood of subdued tranquility pervading Nature. Wu Chen also went by the style name.....more

1382/1620
清石濤黃山潔空金碧圖 軸

清石濤黃山潔空金碧圖 軸

in art with many fascinating depictions and interpretations of style and composition. Those most praised.....more

1383/1620
明蔣嵩山水 軸

明蔣嵩山水 軸

School and often used scorched ink. Known for his wild brushwork and spontaneous style, he was labeled.....more

1384/1620
五代南唐徐熙玉堂富貴圖 軸

五代南唐徐熙玉堂富貴圖 軸

style, called "wall-to-wall flowers". This work was probably once part of a screen painting.....more

1385/1620
五代南唐周文矩仕女圖 軸

五代南唐周文矩仕女圖 軸

turning and twisting lines that model the woman's robes are far from Chou-ch's style. &*1.劉芳如,〈明人仕女圖(舊傳.....more

1386/1620
宋趙伯駒漢宮圖 軸

宋趙伯駒漢宮圖 軸

). Chao Po-chü (1120-1172), style name Ch'ien-li, was the seventh generation.....more

1387/1620
宋徽宗池塘秋晚圖 卷

宋徽宗池塘秋晚圖 卷

with the so-called coarse brushwork of Huizong’s style. Representing Huizong’s coarse brush manner, it is even.....more

1388/1620
元趙雍春郊遊騎圖 軸

元趙雍春郊遊騎圖 軸

求著高古簡逸的趣味。&Chao Yung (style name Chung-mu) was a native of Wu-hsing.....more

1389/1620
元馬琬喬岫幽居 軸

元馬琬喬岫幽居 軸

(style name Wenbi, sobriquet Ludun), a native of Jinling (modern Nanjing), was good at calligraphy.....more

1390/1620
元人應真像 軸

元人應真像 軸

, its style deriving from the Liu Sung-nien tradition of the Southern Sung (1127-1279). Color has been.....more

1391/1620
元人應真像 軸

元人應真像 軸

. The brushwork is extremely delicate and refined, its style deriving from the Liu Sung-nien school.....more

1392/1620
宋李公麟畫歸去來辭 卷

宋李公麟畫歸去來辭 卷

of the artist, but has been attributed to Li Kung-lin. The style, however, suggests the hand of a later artist.....more

1393/1620
宋牟益擣衣圖 卷

宋牟益擣衣圖 卷

物樹木屋宇雜物,無一不精。眉宇之間,多有愁思之意,蓋天風漸寒,裁衣寄遠,固有懷思未能止也。 &*Mou I (style-name Te-hsin) was a native of Szechuan.....more

1394/1620
元吳鎮秋江漁隱 軸

元吳鎮秋江漁隱 軸

石間,安置著村屋人家,遠處是一片空闊的江山,只有一艘小漁船飄蕩在江心。全幅多用中鋒禿筆皴畫,運筆沉著有力,漬染渾厚,配合了巍峨的山崖,挺拔的松樹,更覺得雄壯厚重。&*Wu Chen (style.....more

1395/1620

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