搜尋:style 在 繪畫 分類當中

符合的藏品

清張若靄畫鎮海寺雪景 軸

清張若靄畫鎮海寺雪景 軸

painting style on the basis of the ideas of Wang Ku-hsiang (1501-1568 A.D.) and Chou Chih-mien (ca.....more

1201/1620
清蔣溥摹文徵明玉蘭花 軸

清蔣溥摹文徵明玉蘭花 軸

秀緻,奇石玲瓏,相映成趣。以工謹雙鉤法畫花朵,花則含苞、綻放各具姿態,通幅以淡墨烘染,更突顯玉蘭雅淡之美。畫成於乾隆十八年(一七五三),上錄御製玉蘭詩三首。 &* Chiang P’u (style.....more

1202/1620
清弘?畫千林瑞雪 軸

清弘?畫千林瑞雪 軸

as his surname, Aisin Gioro, indicates. A skilled poet and painter, Hung followed the style of Wang.....more

1203/1620
清王時敏松巖靜樂圖 軸

清王時敏松巖靜樂圖 軸

of the Four Wangs of the Ch’ing dynasty, was from T’ai-ts’ang in Kiangsu. His tzu (style name) was Hsun-chih.....more

1204/1620
清王敬銘山水 軸

清王敬銘山水 軸

of this he was able to develop his own style. In comparing his painting methods to those of Wang.....more

1205/1620
清戴天瑞秋山落照 軸

清戴天瑞秋山落照 軸

重疊,林木相錯,山陬水湄,亭宇相望。全作以指代筆,樹石皆用指甲指頭沾墨和水,細鉤重染,意韻醇厚,毫無一般指畫之野氣。 &* Tai T’ien-jui (style name His-t’ang.....more

1206/1620
清蔣廷錫月來香圖 軸

清蔣廷錫月來香圖 軸

。 &* Chiang T’ing-hsi was a native of Ch’ang-shu, Kiangsu province. His style names were Yang-sun and Yu-ch.....more

1207/1620
清張若靄繪圖高宗御筆秋花詩 軸

清張若靄繪圖高宗御筆秋花詩 軸

, bamboo, animal, and insect subjects. Chang fromed his painting style on the ideas of Wang Ku.....more

1208/1620
清董邦達畫谿山深雪圖 軸

清董邦達畫谿山深雪圖 軸

. His painting style was based on those of Tung Yüan (fl. 937-975 A.D.) and Tung Ch’i-ch’ang.....more

1209/1620
清張宗蒼西湖圖 軸

清張宗蒼西湖圖 軸

. His style name were Mo-ts’un and Mo-ts’en. He also used Huang-ts’un as his hao. He excelled.....more

1210/1620
清王原祁畫山水 冊 仿米氏雲山

清王原祁畫山水 冊 仿米氏雲山

(style-name Mao-ching; sobriquet Lu-t’ai) was a native of T’ai-ts’ang, Kiangsu. A grandson of Wang.....more

1211/1620
明李宗謨蘭亭修褉圖 卷

明李宗謨蘭亭修褉圖 卷

(pai-miao) style was also delicate and elegant. To the right, at the start of a long horizontal.....more

1212/1620
明仇英乞巧圖 卷

明仇英乞巧圖 卷

. This work is attributed to Ch’iu Ying, a Ming master known for his meticulous style. &*1.馬孟晶,〈明人乞巧(舊.....more

1213/1620
清董邦達雲山圖 軸

清董邦達雲山圖 軸

üan painting giving his style a clarity and beauty. Here brushwork is relaxed, elegant.....more

1214/1620
清賈全畫詠梅圖 軸

清賈全畫詠梅圖 軸

style approached that of Chin T’ing-piao, particularly in the use of the “small axe stroke” to ren.....more

1215/1620

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