搜尋:style 在 繪畫 分類當中

符合的藏品

元倪瓚?林遠岫圖 軸

元倪瓚?林遠岫圖 軸

(一三七二)年款,時七十二歲。然本幅題款,實摹自本院藏倪氏真本「容膝齊圖」。用筆亦無倪氏一代大家之健勁,顯係後代摹品。 &* Ni Tsan (style name Yüan-chen.....more

1126/1620
明錢穀畫鍾馗 軸

明錢穀畫鍾馗 軸

及,封為驅魔大神。是後,鍾馗辟鬼之說益趨流行,民間每於歲暮暨端午懸其像,以祛邪魅。錢穀此作,設色淺淡,別饒逸氣,則又與民間圖像相逕庭矣。 &* Ch’ien Ku (style name Shu.....more

1127/1620
明王諤瑞雪凝冬 軸

明王諤瑞雪凝冬 軸

-1505). Since Emperor Hsiao-tsung greatly appreciated the style of Ma Yüan of the Southern Sung.....more

1128/1620
明宋旭雲巒秋瀑圖 軸

明宋旭雲巒秋瀑圖 軸

(Chekiang province), his style name was Ch’u-yang and his sobriquet Shih-men. In his later years he became.....more

1129/1620
明陸治春山溪閣圖 軸

明陸治春山溪閣圖 軸

and green pigments. Lu Chih was a native of Soochow. His style name was Shu-p’ing and his sobriquet Pao.....more

1130/1620
明藍瑛溪山雪霽 軸

明藍瑛溪山雪霽 軸

歲,正當盛年,故筆墨精整,設色明麗,而習氣未深,是藍氏傳世之佳作。 &*Lan Ying (style name T’ien-shu and sobriquets Tieh-sou and Shih.....more

1131/1620
明張宏畫山水 軸

明張宏畫山水 軸

波動。畫家作此圖,不以長線勾,而全以點及短線來綴合,點線極富律動感,均以風向為主導,蓋著意在秋風,是以飛揚搖動之姿,刻意描繪,秋聲亦隨之而聞。 &* Chang Hung (style name Ch.....more

1132/1620
明陳洪綬花蝶寫生 軸

明陳洪綬花蝶寫生 軸

an exaggerated style in his paintings to create a sense of distortion. For this reason, he.....more

1133/1620
明項聖謨孤山放鶴圖 軸

明項聖謨孤山放鶴圖 軸

studied Wen Cheng-ming’s style and went further back to Sung and Yüan traditions, not wishing.....more

1134/1620
明呂紀春風燕喜圖 軸

明呂紀春風燕喜圖 軸

下,萱花盛開;一雙飛燕臨空掠過,岸上則止息瀆鳧一對。其中柳樹幹之皴法,以及萱花、柳葉與雙鳧之鉤畫用筆,甚得呂紀之筆意,若自神韻觀之,則仍顯得略遜一籌。 &* Lü Chi, style.....more

1135/1620
明董其昌畫山水 軸

明董其昌畫山水 軸

之刻畫。壬子(一六一二)年,為陳廉(明卿)作此圖,時董氏五十八歲,後來此圖轉歸王時敏(遜之)收藏。 &* Tung Ch'i-ch'ang (style name Hsüan-tsai.....more

1136/1620
明陸治天中佳卉 軸

明陸治天中佳卉 軸

植菖蒲草,取名為「天中佳卉」。文人講究生活情趣,蒔花賞石,做為花園書房擺設之用,進而畫圖記實。本幅亦可視如此。楷書寫賦,佔畫面上方大部份,更足以顯示書畫一體。 &*Lu Chih (style.....more

1137/1620
唐李昭道蓬萊宮闕圖 卷

唐李昭道蓬萊宮闕圖 卷

to the Tang painter Li Zhaodao, this work instead is probably an imaginative re-creation in a Tang style.....more

1138/1620
明仇英上林圖 卷

明仇英上林圖 卷

a perfect complement to the descriptions in the Ode. This style is often attributed to Ch’iu Ying.....more

1139/1620
唐李昭道曲江圖 軸

唐李昭道曲江圖 軸

to the painting. The Li family style of "blue-green" landscape was commonly practiced by later painters.....more

1140/1620

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