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符合的藏品

元人雜書 卷 饒介書中峰幻住像偈

元人雜書 卷 饒介書中峰幻住像...

令。本幅行書中峰明本像偈,作於至正廿五年(西元一三六五年),為晚年精品。書風疏朗秀逸,章草筆法雖不多,然輕靈自然,有畫龍點睛之妙。 本幅為元人雜書卷第六幅。&*Jao Chieh (style.....more

226/1620
明文徵明書五言律詩 軸

明文徵明書五言律詩 軸

書大字則轉向黃庭堅。本幅書風奔放,乃為人作溪山欲雪圖所賦詩。(20100711)&*Wen Zhengming (original name Bi; style name Zhengming.....more

227/1620
清鄒一桂畫藤花芍藥 軸

清鄒一桂畫藤花芍藥 軸

色雅艷。此畫紫藤芍藥,精工妍麗,不失本家面目。 &* Tsou I-Kuei (style name Yüan-pao and sobriquets Hsiao-shan, Jang-ch.....more

228/1620
宋錢選荔枝圖 卷

宋錢選荔枝圖 卷

下疏,主題顯著,非一般折枝作品,蓋由寫生而來。&*Ch'ien Hsuan, style name Shun-chu, sobriquets Yu-tan, Hsun-feng, Ch'ing-chu.....more

229/1620
明曹有光孫杕畫冊 冊 蘭石圖

明曹有光孫杕畫冊 冊 蘭石圖

brushwork to paint birds and flowers in a style that recalls the early painters Huang Ch’üan and Chao.....more

230/1620
名人畫扇(上) 冊 明王醴鵪鶉石竹

名人畫扇(上) 冊 明王醴鵪鶉...

剪秋羅、石竹 鵪鶉 蜂 溪澗、湍泉 國立故宮博物院 故宮書畫錄(卷八),第四冊,頁165 &*故宮書畫圖錄,第二十九冊,頁98-99&*  王醴,作品見於明朝晚期(十七世紀初)。字三泉,浙江嘉興人.....more

231/1620
清任預李墉山水 成扇

清任預李墉山水 成扇

ü (style name Li-fan) was a native of Hsiao-shan, Chekiang and the son of Jen Hsiung. Somewhat.....more

232/1620
漢三老諱字忌日刻石墨拓 軸

漢三老諱字忌日刻石墨拓 軸

forms reveal occasional seal script elements. The style is lofty with unadorned power.....more

233/1620
清曾國荃楷書七言聯 軸

清曾國荃楷書七言聯 軸

(style name Yuanpu), a native of Xiangxiang in Hunan, was the younger brother of Zeng Guofan.....more

234/1620
民國羅振玉臨新莽銅器銘 軸

民國羅振玉臨新莽銅器銘 軸

served the Manchukuo puppet state. In calligraphy, he early studied Yan Zhenqing’s style but later.....more

235/1620
清呂世宜行書五言聯 軸

清呂世宜行書五言聯 軸

; Shiyi (style name Kehe, sobriquet Xicun) was a native of Kinmen (then part of Quanzhou) and became.....more

236/1620
宋米芾與魏泰唱和詩 卷

宋米芾與魏泰唱和詩 卷

enthusiastic” style. This scroll grasps the form of Mi’s style, but the brush flicks weakly.....more

237/1620
文氏畫扇集冊 冊 明文徵明墨蘭竹石

文氏畫扇集冊 冊 明文徵明墨蘭...

sobriquet was Cheng-chung. His style names were T’ing-yün-sheng and Heng-shan chü-shih. He.....more

238/1620
明陳淳五鹿圖 軸

明陳淳五鹿圖 軸

為精。 &* Ch'en Shun (style names Tao-fu, Fu-fu; sobriquet Pai-yang shan-jen) was a native of Ch'ang.....more

239/1620
元人秋林瑞靄 軸

元人秋林瑞靄 軸

are rich and moist. Judging from the brushwork and composition, the painter was following in the style.....more

240/1620

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