搜尋:style 在 繪畫 分類當中

符合的藏品

明文嘉畫瀛洲仙侶 軸

明文嘉畫瀛洲仙侶 軸

Wen Cheng-ming, was a native of Ch’ang-chou, Kiangsu. His style name was Hsiu-ch’eng; his sobriquet.....more

301/1620
明居節畫江南春 軸

明居節畫江南春 軸

罕見人跡。用筆有力,方筆較多。畫上自題江南春詩一首,詞一首,書法也很好。整幅畫把江南的春天表現得淋漓盡致。本幅畫於辛卯(一五三一)年。 &*Chu Chueh, style name Shih.....more

302/1620
明孫枝梅花水仙 軸

明孫枝梅花水仙 軸

覺。 &*Although neither the birth nor death date of Sun Chih (style name Shu-ta; sobriquets Hua-lin ch.....more

303/1620
明陸治仙山玉洞圖 軸

明陸治仙山玉洞圖 軸

, while the angular lines and texturing are completely in Lu’s own style. Therefore, Lu was at the stage.....more

304/1620
明陸治飛閣?江圖 軸

明陸治飛閣?江圖 軸

) and Yüan (1279-1368) painting, he was able to create his own style. This work combines.....more

305/1620
明邊文進胎仙圖 卷

明邊文進胎仙圖 卷

),第四冊,頁40&*故宮書畫圖錄,第十八冊,頁99-104&* 邊文進,生卒年不詳,福建沙縣人。字景昭,永樂(西元一四0三-一四二四年)間召至京師,授武英殿待詔,宣德(西元一四二六-一四三五年)間仍供.....more

306/1620
宋人法書(三) 冊 宋朱敦儒書尺牘

宋人法書(三) 冊 宋朱敦儒書...

書寫,而縱橫揮灑之氣勢大有草書意。 本幅選自「宋人法書冊三」第十四幅。&*Chu Tun-ju (style name His-chen; sobriquet Yen-ho.....more

307/1620
明吳彬歲華紀勝圖 冊 結夏

明吳彬歲華紀勝圖 冊 結夏

Months”) Wu Pin (fl. 1573-1620) Ming Dynasty Wu Pin (style name Wen-chung) became famous for his.....more

308/1620
元趙孟頫書蘇軾西湖詩 卷

元趙孟頫書蘇軾西湖詩 卷

高宗,中年以後,小楷法鍾繇,行草師二王、李邕,參以蘇米,筆致秀逸。本卷書蘇軾詩,沉穩中流露俊秀之氣,是六十七歲晚年佳作。&*Chao Meng-fu (style name Tzu-ang.....more

309/1620
宋四家墨寶 冊 宋米芾致彥和國士尺牘 

宋四家墨寶 冊 宋米芾致彥和國...

-yang in Hupei, is often referred to by his style name Yüan-chang or one of his many sobriquets.....more

310/1620
唐李昭道湖亭遊騎 軸

唐李昭道湖亭遊騎 軸

landscapes in the style invented by his father. The two Li's are equally famous and are usually referred.....more

311/1620
明林良秋鷹 軸

明林良秋鷹 軸

Dynasty Lin Liang, style name I-shan, was a native of Nan-hai, Kwangtung. He served in the Inner Court.....more

312/1620
明呂紀荷渚睡鳧 軸

明呂紀荷渚睡鳧 軸

, the painting here probably reflects a faithful imitation of Lu’s style, which nonetheless provides.....more

313/1620
清吳歷雲白山青圖 卷

清吳歷雲白山青圖 卷

編(御書房),下冊,頁1070&故宮書畫錄(卷四),第二冊,頁266&故宮書畫圖錄,第二十冊,頁205-208& Wu Li, style name Yü-shan.....more

314/1620
明沈周策杖圖 軸

明沈周策杖圖 軸

have been pared down, suggesting the untrammeled purity of the style of Ni Tsan. The powerful.....more

315/1620

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