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元俞和書陶潛詩（一）　冊

Chin and T'ang calligraphic models. In his early years, he had the chance to see the famed Chao Meng.....more

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筆力險峻，俞字卻清秀沖和，不再有北碑森嚴的氣息。&*Yü Ho was a native of Hangchow. Copying Chin and T'ang models, he became.....more

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harmony. Brush and ink are abundant and flowing, being models of Su’s style. These are in leaf 1.....more

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the styles of Chang Hsu (ca. 700-750) and the monk Huai-su (ca. 735-800?) as models for his cursive.....more

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. A noted landscape painter, Kuo did not rely on models but took his inspiration from nature. He.....more

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and T’ang models, and his small standard script comes from his study of Wang Hsi-chih’s The Huang-t’ing.....more

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and calligraphy served as models for later generations. Wang Shih-mou, a critic of the Ming dynasty, once.....more

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, turned away from accepted styles. His landscape paintings, which strictly avoided copying old models.....more

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and diligently studied painting and calligraphy all his life. Eclectic in his choice of models, he took.....more

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forms and composition are based largely on Chinese models, but brushwork and execution are western.....more

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were excellent, and his calligraphy and painting have served as models for later generations.....more

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and prose are excellent. His calligraphy and painting have served as models for generations. The painting.....more

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