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符合的藏品

明陳洪綬畫隱居十六觀 冊 縹香

明陳洪綬畫隱居十六觀 冊 縹香

with a patterned mat serves for her seat, while on the left and right stand feathery sprays of thickly.....more

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明丁雲鵬畫應真像 軸

明丁雲鵬畫應真像 軸

, seated upon a large boulder above; one holds a chowry, the other fingers a rosary. At the left.....more

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宋蘇軾書歸去來辭 卷

宋蘇軾書歸去來辭 卷

, and the strokes which descend to the left extend while those to the right contract. This is Su's special.....more

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清惲壽平寫生花卉 冊 雪中蕉

清惲壽平寫生花卉 冊 雪中蕉

in light ink. The rest of the motifs have been left blank to indicate snow. Only the petals and calyxes.....more

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明藍瑛畫山水 軸

明藍瑛畫山水 軸

through the lower left portion, while the upper right portion contains ascending layers.....more

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清王原祁仿黃公望山水 軸

清王原祁仿黃公望山水 軸

by a river. The foreground bank extends from the lower right to a pointed peak at the left, which echoes.....more

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明人書妙法蓮華經塔 軸

明人書妙法蓮華經塔 軸

the entire stûpa, and ends to the left of the beginning of the sûtra. The central niches.....more

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明沈周畫山水 軸

明沈周畫山水 軸

, but when he got to Tiger Hill Wu Shih-chü had already left. After a rainstorm, Shen Chou.....more

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明孫克弘畫花卉 卷

明孫克弘畫花卉 卷

of the bush, flowers, and rocks is complete and unadulterated. In other words, no element has been left out.....more

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清姚文瀚畫釋迦牟尼佛 軸

清姚文瀚畫釋迦牟尼佛 軸

(the gesture signifying mediation) with his left hand and the bhūmisparsha mudrā (the gesture.....more

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清姚文瀚畫第一阿迎阿機達尊者 軸

清姚文瀚畫第一阿迎阿機達尊者 ...

position. He carries a fly-whisk under his left arm, and he also holds an incense burner in his.....more

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清姚文瀚畫第十七納納答密答答喇尊者 軸

清姚文瀚畫第十七納納答密答答喇...

left. Tigers lie at his feet. On a rock, an animal-shaped weight spurts out water which transform.....more

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清鄒一桂畫梨花夜月 軸

清鄒一桂畫梨花夜月 軸

. Also a famous flower painter at the early Qing court, his works are masterful and orderly. He left.....more

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宋人觀梅圖 軸

宋人觀梅圖 軸

. The area of silk left blank suggests an icy feeling that further adds to the coldness of the land.....more

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宋拓聖教序 冊

宋拓聖教序 冊

with ink, while the lower left part of the character “yüan 緣” in “sheng-yüan 勝緣” has also.....more

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