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符合的藏品

明仇英秋江待渡 軸

明仇英秋江待渡 軸

, but there are three of his seals stamped on the painting, one in the bottom left corner and two on the right.....more

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明戴進風雨歸舟 軸

明戴進風雨歸舟 軸

brushwork, ranging from free and unbridled to moist and mature. Areas of the composition have been left.....more

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明孫枝梅花水仙 軸

明孫枝梅花水仙 軸

for the stamens. The use of brush and ink is simple and light, as if the artist left behind no traces.....more

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明陳洪綬喬松仙壽圖 軸

明陳洪綬喬松仙壽圖 軸

master, carrying a hu vessel over his right shoulder and a basket of flowers with his left hand.....more

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明沈周溪橋訪友 軸

明沈周溪橋訪友 軸

mountain rises, its interior left mostly unmodelled with texture strokes; this is a style derived.....more

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明陳淳寫生 卷

明陳淳寫生 卷

the handscroll from right to left in a beautiful harmony. The split tip of the brush here.....more

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清石谿茂林秋樹 卷

清石谿茂林秋樹 卷

inclined to the left and cover almost all of the pictorial space. Some leaves.....more

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明彭年錢榖鶴林玉露一則書畫合璧 卷

明彭年錢榖鶴林玉露一則書畫合璧...

and asked Ch’ien to paint a picture accordingly. The long scroll, viewed from right to left, reveals.....more

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宋劉松年畫羅漢 軸

宋劉松年畫羅漢 軸

at the upper left corner and “Hung Chieh T'u Shu” appear in the upper right corner.....more

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唐李昭道洛陽樓圖 軸

唐李昭道洛陽樓圖 軸

balcony in front and balconies to the left and right. A covered walkway extends.....more

295/322
明陳洪綬畫隱居十六觀 冊

明陳洪綬畫隱居十六觀 冊

Hung-shou was a native of chu-chi, Chekiang. A “left-over” subject of the Ming, he styled himself Hui.....more

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六朝宋陸探微歸去來辭圖 卷

六朝宋陸探微歸去來辭圖 卷

Yuanming (365-427) decided not to be a slave to his official’s salary of 5 pecks of rice, so he left.....more

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明沈粲書應制詩 軸

明沈粲書應制詩 軸

at the far left reveals unrestrained cursive script with interconnected strokes. Thus, at the end.....more

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明董其昌書杜甫謁玄元皇帝廟詩 軸

明董其昌書杜甫謁玄元皇帝廟詩 ...

. This is a copy of Xu Hao’s (703-782) transcription of Du Fu’s poem. In the lower left, Dong wrote that Xu Hao.....more

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藝林集玉 冊 無款秋溪待渡圖

藝林集玉 冊 無款秋溪待渡圖

buildings. A master and four retainers return from a spring outing and cross a bridge. To the left.....more

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