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明項元汴倣蘇軾壽星竹 軸

明項元汴倣蘇軾壽星竹 軸

[“Ink Forest Layman”]) was a native of Jiaxing, Zhejiang, who housed his art collection in the Hal.....more

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清赫奕晴嵐晚翠 軸

清赫奕晴嵐晚翠 軸

sparingly, but has employed various tonalities of ink and repeated layers of dots to create a sense.....more

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宋陳容神龍沛雨圖 軸

宋陳容神龍沛雨圖 軸

on to serve as Prefect of P'u-t'ien. He excelled at painting dragons, using splashed ink to create clouds.....more

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元人寒林圖 軸

元人寒林圖 軸

added ink to the blue and ochre pigment. The spirit of a brooding winter pervades the painting. Though.....more

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元高克恭群峰秋色 軸

元高克恭群峰秋色 軸

in a restrained, but natural manner. Pale color and light ink tones have been used throughout the landscape.....more

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元趙雍畫馬 卷

元趙雍畫馬 卷

of the forms in light ink and then filled them with dark ink. Although this work has an inscription.....more

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明姚綬畫竹 軸

明姚綬畫竹 軸

bamboo are drawn in ink in calligraphic brushstrokes; the solid mass of rock is limned in fluid ink.....more

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元王淵秋山行旅圖 軸

元王淵秋山行旅圖 軸

in contrasting tones of light and dark ink. The small rocks are painted with great strength and add.....more

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明王紱獨樹圖 軸

明王紱獨樹圖 軸

period (1403-1424), Wang Fu was famed for his renderings of bamboo in monochrome ink. He also excelled.....more

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元人畫夏山甘雨 軸

元人畫夏山甘雨 軸

rain often utilized watery ink to describe the sodden, rain-drenched landscape. Here, mountains.....more

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明文徵明花卉 冊 洛浦凌波

明文徵明花卉 冊 洛浦凌波

. On this leaf, the narcissus is painted in the pai-miao ink-outline mode and provides an interesting.....more

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清羅牧林壑蕭?圖 軸

清羅牧林壑蕭?圖 軸

drenched with ink has been wielded without restraint in this painting. The untreated paper has soaked up.....more

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五代梁荊浩漁樂圖 軸

五代梁荊浩漁樂圖 軸

in nets. The rocks and mountain forms are rendered with straight texture strokes, and the ink.....more

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清蔣廷錫畫歲寒三友 軸

清蔣廷錫畫歲寒三友 軸

梅(白.紅.蠟梅) 松 竹 溪澗、湍泉 國立故宮博物院 石渠寶笈續編(養心殿),第二冊,頁1169&*故宮書畫錄(卷八),第四冊,頁99&*故宮書畫圖錄,第十一冊,頁65-66&*蔣廷錫(西元一六六.....more

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清張宗蒼竹亭觀瀑圖 軸

清張宗蒼竹亭觀瀑圖 軸

). Chang’s method of painting was first to render the outline with a pale ink wash, layer on layer.....more

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