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元郭畀寫高使君意 軸

元郭畀寫高使君意 軸

distant mountains lies a temple. A large brush has been used to apply the light ink washes.....more

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明王紱溪亭高話圖 軸

明王紱溪亭高話圖 軸

time for his ink paintings of bamboo. He followed the Yüan dynasty masters in his landscape.....more

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明戴進畫山水 軸

明戴進畫山水 軸

文進寫」六字,並鈐「靜庵」印記一方。 &*Tai Chin took the traditional ink style of Chekiang as his foundation, to which.....more

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明文嘉巖瀑松濤圖 軸

明文嘉巖瀑松濤圖 軸

, Wen Chia’s landscape paintings are exceptional with their refined and elegant use of brush and ink.....more

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明王紱勘書圖 軸

明王紱勘書圖 軸

the qualities of brush and ink. He therefore became the forerunner of the mid-Ming literati (Wu.....more

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明趙左寒江草閣 軸

明趙左寒江草閣 軸

he learned from the painter Sung Hsü. He used ink sparingly, and only after great reflection.....more

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元王蒙會阮圖 卷

元王蒙會阮圖 卷

theirs and revealed a wide range of expression. He excelled at using "dry" ink to render texture.....more

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明趙左寒崖積雪 軸

明趙左寒崖積雪 軸

rendition of mists and clouds was very lively, and he was gifted at using washes of ink, using dry.....more

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明文徵明金山圖 軸

明文徵明金山圖 軸

, and although rendered quite casually, the brush and ink are full of assurance. The inscription in T'ang.....more

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明沈周金粟晚香圖 軸

明沈周金粟晚香圖 軸

of branch of cassia blossoms in monochrome ink, flowers and leaves criss-cross, and the lighter.....more

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明王諤畫溪橋訪友 軸

明王諤畫溪橋訪友 軸

of dark ink washes, emphasizing the variations of ink tones. This and the application of swift.....more

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元王蒙秋山簫寺圖 軸

元王蒙秋山簫寺圖 軸

Meng was in the residence of Tsou Fu-lei, he executed this work. Wang Meng’s use of ink ranges from.....more

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宋人倣張僧繇山水 軸

宋人倣張僧繇山水 軸

, "When Chang Seng-yu put brush to silk, he did not use lines of ink, only heavy colors of mineral.....more

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明宣宗書畫合璧 冊

明宣宗書畫合璧 冊

“boneless” washes with “sketching ideas,” the major parts lined with dark ink. The dry branches.....more

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明沈周寫生 冊 荷花與蹲蛙

明沈周寫生 冊 荷花與蹲蛙

in monochrome ink. This is the 4th leaf from Shen Chou’s Sketches from Life, which was done in 1494.....more

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