明文徵明金山圖 軸
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- 資料識別：
- 故畫002196N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 文徵明
- 主題與關鍵字：
- 名勝 寺廟 迴廊 帆船 亭 江河、湖海
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 明世宗嘉靖元年（1522）
- 格式：
- 本幅 70x23.8公分、全幅 50公分
- 關聯：
- 石渠寶笈初編（御書房），下冊，頁1129&*故宮書畫錄（卷八），第四冊，頁80&*故宮書畫圖錄，第七冊，頁59-60&*文徵明（西元一四七○至一五五九年），江蘇長洲人，初名壁，字徵明，後以字行，更字徵仲，號停雲生，衡山居士。畫師沈周，書畫雙絕，為明四大家之一。因其享年甚高，故傳世畫蹟頗多。 小山一撮，在萬頃波濤中，飛帆四面圍繞。但覺江天空濶，一望無際。全幅禿筆中鋒，筆力蒼健，雖隨意而筆墨精到。款書作唐隸，亦極蒼健。 &*Wen Cheng-ming (1470-1559) was a native of Ch'ang-chou, Kiangsu. Originally, he was named Wen Pi, with the style name of Cheng-ming, but later he went by his style name and took an additional one of Cheng-chung. He was also known by the sobriquets T'ing-yün-sheng and Heng-shan chü-shih. Wen studied under Shen Chou, adapting what he learned to his own tastes and creative vent, and became one of the Four Masters of the Ming. Due to his long and productive life, there are many of his works left to us today. In this scene, a small conical hill rises up out of waters whipped into a myriad rolling waves, with billowed-out sails scuttling in all directions. There is a feeling of boundless space as water and sky merge into one vastness. The entire scroll is executed in brushwork using the center-tip of the brush. It is forceful and vigorous, and although rendered quite casually, the brush and ink are full of assurance. The inscription in T'ang clerical script calligraphy was energetically executed in rich ink.&*1.江兆申，〈文徵明金山圖 軸〉，收入國立故宮博物院編，《吳派畫九十年展》（臺北：國立故宮博物院，1975年初版，1976年再版，1981年三版），頁307。
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
