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符合的藏品
共找到 105 筆符合的資料
明文徵明江南春圖 軸
of the mountains is little more than outlines with just a bit of dry ink and extremely few texture.....more
- 91/105
明董其昌夏木垂陰圖 軸
dark to light and wet to dry. The composition is complex but not confused.....more
- 92/105
明陸治仙山玉洞圖 軸
Cheng-ming. In later years, Lu used increasingly dry ink and more forceful brushwork to create a style.....more
- 96/105
名畫琳瑯 冊 明文嘉石湖秋色
ink was applied to a preliminary layer of light ink just as it began to dry, and thus the two layers.....more
- 98/105
清王時敏倣黃公望浮嵐暖翠圖 軸
with dry brushwork texturing for the mountain forms create a painting with an atmosphere of pure refi.....more
- 99/105
清王原祁仿黃公望筆意 軸
are succinct, with a dry brush outlining the rocks and trees, after which texturing and a few washes.....more
- 100/105
清黃鉞繪時華紀瑞 軸
here using dry lines and textures to which light ink from a moist brush was applied. Several Chinese.....more
- 101/105
清董邦達灞橋覓句 軸
gujian. In landscape painting, he excelled at using dry strokes to outline the forms, his texturing.....more
- 102/105
明陸治雪窗見易圖 軸
. The brushwork is dry and fine, in a manner similar to the landscape scroll of Wen Cheng-ming’s entitled “Deep.....more
- 103/105
宋歐陽修集古錄跋 卷
calligraphy that, "Using a pointed brush and dry ink he produced squared, slightly flattened.....more
- 104/105
清王原祁仿王蒙夏日山居圖 軸
strokes executed with a “dry” brush. The brushwork is tight-knit, following the characteristic style.....more
- 105/105