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明尤求西園雅集圖 軸

明尤求西園雅集圖 軸

Huang T’ing-chien (1045-1105), the painter Mi Fu (1052-1107), the poet and calligrapher Ch'in Kuan (1049.....more

301/1422
明文徵明仇英合摹李公麟蓮社圖 軸

明文徵明仇英合摹李公麟蓮社圖 ...

-lin’s Lotus Society Collaborative work by Wen Cheng-ming (1470-1559) and Ch’iu Ying (ca. 1494-1552.....more

302/1422
唐韓幹猿馬 軸

唐韓幹猿馬 軸

, Honan), he is also said to be from Ch’ang-an or Lan-t’ien. Called to court in the T’ien-pao era (742.....more

303/1422
宋薛紹彭雜書 卷

宋薛紹彭雜書 卷

溢毫素間。&*Hsueh Shao-'eng, a native of Ch'ang-an in Shensi province, was an avid collector. He.....more

304/1422
唐孫過庭書孝經 冊

唐孫過庭書孝經 冊

(draft script). The scroll is damaged in several places and Chü Yüan-ming informs us, in his.....more

305/1422
清王鑑倣倪瓚山水 軸

清王鑑倣倪瓚山水 軸

, and Wang Yüan-ch’i have become venerated as Four Great Landscape Masters of the early Ch’ing.....more

306/1422
清王翬倣王蒙夏山讀書圖 軸

清王翬倣王蒙夏山讀書圖 軸

san-jen, Wu-mu shan-jen, Chien-men ch’iao-k’o, Ch’ing hui chu-jen, and others) was a native of Ch’ang.....more

307/1422
清張庚仿王蒙山水 軸

清張庚仿王蒙山水 軸

藏謹此一幅。 &*Landscape after Wang Meng Chang Keng Ch’ing dynasty Originally his personal name was T’ao.....more

308/1422
清張廷彥畫登瀛洲圖 軸

清張廷彥畫登瀛洲圖 軸

except that he was active during the Ch’ien-lung era (1736-1795) when he was a member of the palace.....more

309/1422
宋錢選畫時苗留犢圖 卷

宋錢選畫時苗留犢圖 卷

,辭別當地父老,留下一犢的廉潔故事。這張畫構圖大致宇同時展出的趙孟頫留犢圖一樣。可見這個故事頗為流行。&*Ch'ien Hsuan was skilled in painting figure.....more

310/1422
明人畫扇 冊 明周臣松壑聽泉

明人畫扇 冊 明周臣松壑聽泉

Chou Ch’en (fl. 15th – 16th century) Ming Dynasty Chou Ch’en (style name Shun-ch’ing; sobriquet Tung.....more

311/1422
明董其昌臨顏真卿書送蔡明遠序 冊

明董其昌臨顏真卿書送蔡明遠序 ...

國立故宮博物院 石渠寶笈三編(延春閣),第五冊,頁2046&*故宮書畫錄(卷三),第一冊,頁99-100&*故宮歷代法書全集,第二十四冊,頁30-47、143&*董其昌(西元一五五五-一六三六年.....more

312/1422
明仇英畫園居圖王寵題 卷

明仇英畫園居圖王寵題 卷

烹泉負卷伺立。板橋、軒齋、屏風、几案俱以界畫法畫成,線條之交組甚為嚴謹,卻兼有雅逸之韻味,意在院體畫與文人畫趣之間。此圖為吳人王獻臣拙政園居所作。 &*A Garden Dwelling Ch’iu.....more

313/1422
明仇英秋江待渡 軸

明仇英秋江待渡 軸

雙鈎,如唐人小楷,筆筆盡法。山石帶皴帶砍,要與斧劈為近,重而不滯,輕而不浮。點景人物,尤盡傳神之妙。有項元汴,安岐藏印。 &*Waiting for a Ferry in Autumn Ch’iu.....more

314/1422
明陳洪綬蓮池應化圖 軸

明陳洪綬蓮池應化圖 軸

,祂們是阿彌陀佛、觀世音和大勢至菩薩。這三位人物的造形怪異,頭和身體不成比例。畫家用方硬的線條來鉤畫衣紋,看上去好像鋼絲一樣,挺勁有力。 &*The Amitâbha Triad Ch’en.....more

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