清張廷彥畫登瀛洲圖 軸
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- 資料識別：
- 故畫002878N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 張廷彥
- 主題與關鍵字：
- 名勝 瀑布 田疇 松 香爐．火盆 文玩（琴棋書畫） 文房用具 花器 飲食器 傢俱（屏風） 漁船 迴廊 水利 欄杆 庭院 橋 亭 水榭 臺閣 宮殿 鹿 馬 柏 楊柳 竹 江河、湖海 石磴、棧道 侍從（侍女、童僕） 官員（臣）
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 169.2x87.9公分、全幅 106公分
- 關聯：
- 石渠寶笈三編（延春閣），第五冊，頁2453&*故宮書畫錄（卷八），第四冊，頁127&*故宮書畫圖錄，第十三冊，頁431-432&* 張廷彥，生卒年里均不詳。乾隆時，供奉內廷，工人物畫。登瀛洲，典出唐書，褚亮傳。太宗既平寇亂，留意儒學，乃於宮城西起文學館，以待四方文士。並屬杜如晦、房玄齡等，以本官兼文學館學士。遣人圖其狀貌，題其名字爵里，復命褚亮為像贊，號十八學士。寫真圖藏之書府，以彰禮賢之重，預入館者時所傾慕，謂之登瀛洲。此幅畫法極為工緻精細，可為院畫之代表作品。&* Nothing is known of Chang T’ing-yen’s life except that he was active during the Ch’ien-lung era (1736-1795) when he was a member of the palace painting academy. He was an excellent figure painter. Teng Ying-chou refers to an episode from the Biography of Ch’u Liang. In 621 Emperor T’ai-tsung, built the Wen-hsüeh Hall (Hall of Literature) to the west of the palace. He summoned there the greatest scholars of the Empire and ordered Yen Li-pen to paint their portraits and Ch’u Liang to inscribe a commemorative eulogy. The emperor had recorded their names and ranks, giving them the name of ‘The Eighteen Scholars.’ The work was kept in the palace collections to demonstrate the court’s attention to cultural life. The gathering of the scholars made such a deep impression throughout the empire that the name of the event was recorded in history. Although the original scroll was lost much earlier, this painting done with painstaking attention to minute detail, commemorates the scholarly meeting. It is a good representative of Ch’ing Academy painting. &* The court painter Chang T'ing-yen was a native of Yangchow and active in the Ch’ien-lung era (1736-1795). Chang’s father, Chang Wei-pang, was a painter in the Ju-i Hall at court and once studied painting from the Italian Jesuit Giuseppe Castiglione, his fusion of Western and Chinese methods winning court approval. With his father's influence, Chang T'ing-yen also had the chance to serve the court, taking part in several cooperative projects from 1744 to 1767. He also cooperated in painting with Castiglione. This work incorporates elements of Western perspective, in which objects near and far correspond to their ratio of sizes in reality, thus giving the classical T'ang (618-907) theme of the Eighteen Scholars a modern interpretation. &*1.陳德馨，〈治世能臣抑或危國邀功之徒？ 張廷彥〈登瀛洲圖〉與乾隆題畫詩的解析〉，《故宮文物月刊》，第268期（2005年7月），頁66-77。
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
