搜尋:brush 在 繪畫 分類當中

符合的藏品

明戴進畫紈牛 軸

明戴進畫紈牛 軸

reveal the brush mannerisms of these two artists. He was also skilled in painting figures, birds.....more

301/639
明周臣山亭納涼圖 軸

明周臣山亭納涼圖 軸

dynasty masters Li T’ang, Liu Sung-nien, Ma Yüan, and Hsia Kuei. Chou’s experienced brush.....more

302/639
宋蘇漢臣灌佛戲嬰 軸

宋蘇漢臣灌佛戲嬰 軸

is painted with great care and seems quite life-like. The colors are bright and the brush and ink were.....more

303/639
明陸師道攜卷對山圖 軸

明陸師道攜卷對山圖 軸

of a tree. His hand holds a scroll and he chants his text as he faces the mountains. The brush is wielded.....more

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明趙左寒江草閣 軸

明趙左寒江草閣 軸

, never dotting his brush thoughtlessly on paper. In painting clouds and mountains, he could convey.....more

305/639
明鄭石畫芙蓉白鷺 軸

明鄭石畫芙蓉白鷺 軸

on the brush tip in the strokes is overly obvious. This type of abbreviated and coarse brushwork is much .....more

306/639
元柯九思谿亭山色圖 軸

元柯九思谿亭山色圖 軸

, and creates vast distances in mountains and valleys. Painted with a full brush, the work possesses.....more

307/639
元任仁發橫琴高士圖 軸

元任仁發橫琴高士圖 軸

, in which the composition and brush style resemble this work. The inscription on Wen's picture reads.....more

308/639
元倪瓚?林遠岫圖 軸

元倪瓚?林遠岫圖 軸

. On the opposite shore, a series of peaks rise. Executed mostly with a centered brush, the texturing.....more

309/639
元朱德潤?嵐秋澗 軸

元朱德潤?嵐秋澗 軸

. In the depiction of mountain rocks, wash is employed instead of texture trokes, and "crab leg" brush strokes.....more

310/639
明宋旭雲巒秋瀑圖 軸

明宋旭雲巒秋瀑圖 軸

. The painter has used his brush, well loaded with ink, predominently in the technique called “small ox.....more

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明呂紀春風燕喜圖 軸

明呂紀春風燕喜圖 軸

, and ducks all seem to have the feel of Lü Chi’s brush method but lack his grace and spirit. 本幅 144.....more

312/639
唐李昭道曲江圖 軸

唐李昭道曲江圖 軸

. Outlines were executed with a fine brush and then filled in with mineral pigments. Some.....more

313/639
明文伯仁吳山春霽 軸

明文伯仁吳山春霽 軸

is handled well and the use of brush and ink mature.(20100104) 本幅 232.3x42.7公分、全幅 70公分 明世宗嘉靖二十二年.....more

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明周臣松窗對奕圖 軸

明周臣松窗對奕圖 軸

brush was sharp, strong, and refined; his style was followed by T’ang Yin and Ch’iu Ying.....more

315/639

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