明陸師道攜卷對山圖 軸

明陸師道攜卷對山圖 軸

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後設資料

資料識別:
故畫000553N000000000
資料類型:
類型:繪畫
型式:靜態圖像
著作者:
陸師道
主題與關鍵字:
雲 山徑 秋景 杉 文玩(琴棋書畫) 亭 楓樹.槭樹 高士(士人、隱士) 江河、湖海 寒林.枯樹
出版者:
數位化執行單位:國立故宮博物院
日期:
明世宗嘉靖二十三年(1544)
格式:
本幅 108.3x41.6公分、全幅 62公分
關聯:
石渠寶笈初編(御書房),下冊,頁1143&*故宮書畫錄(卷五),第三冊,頁413&*故宮書畫圖錄,第八冊,頁135-136&*  陸師道,西元一五一四至一五八0尚在。長洲人,字子傳,號元洲,更號五湖。嘉靖戊戌進士,游文徵明門,稱弟子。工詩古文及書畫,徵明四絕,並能傳之。   淺絳山水,一士子持卷坐樹陰下,對山諷誦。用筆蒼勁,視乃師為恣肆矣。而畫中一種雅澹之氣,固是衡山本色也。款題嘉靖甲辰,是三十一歲作。 &* Lu Shih-tao was a native of Ch’ang-chou, Kiangsu province. His style name was Tzu-ch’uan, his sobriquet Yüan-chou and Wu-hu. He received his chin-shih degree in 1538. A student of Wen Cheng-ming’s, Lu excelled in poetry, classics, painting and calligraphy and was able to maintain “four excellences” for which his master was widely acclaimed. Executed in light color, this work depicts a scholar sitting beneath the shade of a tree. His hand holds a scroll and he chants his text as he faces the mountains. The brush is wielded powerfully, and when compared with that of his teacher Wen Cheng-ming, more freely. But the refined and subtle flavor pervading the painting reveals that Lu has well attained and conveyed the true essense of Wen Cheng-ming. The inscription states that the work was completed in 1544 when the artist was thirty-one years old.
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國立故宮博物院

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http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061

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