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清汪承霈畫菊 軸

清汪承霈畫菊 軸

效果。古人為了模擬蝶翼黝黑的色澤,曾經嘗試用鍋底的黑煙來替代墨錠。本幅中的鳳蝶,便是一個例證。&* Wang Ch’eng-p’ei, a native of Anhwei province.....more

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清錢維城畫江閣遠帆 軸

清錢維城畫江閣遠帆 軸

-ch’eng, style name Tsung-p’an and sobriquets Ch’a-shan and Chia-hsüan, was a native of Wu-chin.....more

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清王武倣元人溪亭對菊圖 軸

清王武倣元人溪亭對菊圖 軸

Shou-p’ing. His landscape paintings were scarce, but when upon occasion he did one, his style.....more

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清張照臨王榖祥梅花 軸

清張照臨王榖祥梅花 軸

, hao Wu-ch’uang, Ching-nan, and in later years T’ien-p’ing chü-shih) was a native of Hua-t’ing.....more

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清王武書畫合璧 軸

清王武書畫合璧 軸

and completely free of academic mannerisms. Famous in his own time, he is ranked with Yűn Shou-p’ing.....more

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清鄒一桂秋塘釣艇圖 軸

清鄒一桂秋塘釣艇圖 軸

of the Hsiao-shan hua-p’u, a manual of painting theory. Although Tsou is best known as a painter.....more

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藝林清賞 冊 清瑛寶畫荷

藝林清賞 冊 清瑛寶畫荷

, he gained great fame. He also claimed that he was the first finger-painter after Kao Ch’i-p’ei.....more

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清陳枚畫耕織圖 冊

清陳枚畫耕織圖 冊

contemporary European methods. In 1699, The P’ei-wen-chai Odes and Images of Agriculture and Sericulture.....more

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1973 遠足 p. 221

1973 遠足 p. 221

p. 221 創作日期:1973 內容地點:台北 說明:當畫家突破抽象和具象的矛盾後,對人物造形的掌握遂不再完全依賴消除三度空間的複雜重疊,此畫可見人物間的距離拉大,三度空間感亦大增。同時.....more

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明沈周蘇州山水全圖 卷

明沈周蘇州山水全圖 卷

such scenic sites around Soochow as T’ien-p’ing Mountain, Lion Mountain, Stone Lake, Ling-yen Mountain.....more

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無量壽佛會慶圖 冊 海洞潮音

無量壽佛會慶圖 冊 海洞潮音

Buddha,” shows Kuan-yin at Tidal Sound (Hai-ch’ao-yin) Cave. The cave is located at Mt. Potala (P’u.....more

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宋蘇軾尺牘 軸

宋蘇軾尺牘 軸

as Tzu-chan and Tung-p'o chü-shih. He passed the chin-shih examination in the Chia-yu era(1056.....more

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宋人法書(三) 冊 宋陸游致仲躬侍郎尺牘

宋人法書(三) 冊 宋陸游致仲...

Affairs and Prefect of K'uei and Yen in Szechuan. He later served as Supervisor of Ch'ang-p'ing.....more

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元李容瑾漢苑圖 軸

元李容瑾漢苑圖 軸

and landscape style of the Yüan artist Wang Chen-p'eng. According to Miscellaneous Notes on the Western.....more

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明沈周花下睡鵝 軸

明沈周花下睡鵝 軸

in the inscription by P’eng Nien are very weak but can be compared to his inscription on his own calligraphy.....more

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