宋蘇軾尺牘 軸
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- 資料識別：
- 故書000001N000000000
- 資料類型：
- 類型:書法
- 型式:文字
- 著作者：
- 蘇軾
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅上段 4.2x28.8公分、本幅下段 28.6x40.2公分、詩塘 11.7x29.7公分、全幅 41公分
- 語言：
- 漢文
- 關聯：
- 故宮書畫錄（卷二），第一冊，頁1&*蘇軾（西元1036至1101年），眉山人，字子瞻，自號東坡居士。嘉祐進士，累官至端明殿侍讀學士。博通經史，工詩文，善書畫。 蘇軾書，當時便負盛名。論書最服顏魯公，蓋亦其源流之所自也。惟大家取法，終不肯借他人軀殼，蘇嘗自評：「東坡平時作字，骨撐肉，肉沒骨。」此六字最能自道面目&*Su Shih, from Mei-shan, was known as Tzu-chan and Tung-p'o chü-shih. He passed the chin-shih examination in the Chia-yu era(1056-1064), and was a Reader-in-Attendance of the Han-lin Academy. Su's broad talents included both the classics and history; he excelled in poetry and essays, and was a master of painting and calligraphy. In discussing the theoretical aspects of calligraphy, Su took Yen Chen-ch'ing as his guide. He once criticized his own calligraphy saying that in his characters "the bones support the flesh, but the flesh obscures the bone." These few words are most descriptive of his works.&* 蘇軾（西元一0三七-一一0一年），字子瞻，號東坡居士，四川眉山人。詩文書畫俱成大家。書法兼得二王、顏真卿、李邕、楊凝式之長，綜觀其書，姿態橫生，縱不失度，黃庭堅推譽為宋朝第一。 元符三年（一一0 0）蘇軾詔徙廉州，途中寫此尺牘予摯友趙夢得。此作又名「渡海帖」，是典型蘇軾風格，蒼勁有力，沉著痛快，為其晚年之代表作。上有項元汴千字文第八0一「具」字編號。 &* Su Shi (style name Zizhan, sobriquet Dongpo jushi) was a native of Meishan, Sichuan. A master gifted at prose, poetry, painting, and calligraphy, in the latter he combined the virtues of the Two Wangs, Yan Zhenqing, Li Yong, and Yang Ningshi to broaden his manner and create a natural style not lacking in regulation, so much that Huang Tingjian called him “First in the Dynasty.” Su Shi was banished to Lianzhou in 1100 and along the way wrote this letter to his friend Zhao Mengde. Known as the “Crossing the Seas” letter, it is typical of Su’s style, mature and powerful while steady yet unrestrained -- representative of his later years. It bears the 801st character (ju 具) from the “Thousand Character Classic” as an accession number for Xiang Yuanbian’s collection.&*1.何炎泉，〈蘇軾書尺牘（北游帖）、尺牘（渡海帖）〉，收入林柏亭主編，《大觀- 北宋書畫特展》（臺北：國立故宮博物院，2006年初版一刷），頁475- 478。 2.何炎泉，〈宋蘇軾致夢得祕校尺牘〉，《故宮文物月刊》，第300期（2008年3月），頁6。 3.佘城，〈從個人風格來探討一件偽蘇軾法書〉，《中華民國建國八十年中國藝術文物討論會論文集 書畫(下)》（臺北：國立故宮博物院，1992），頁627-660。 &*蘇軾（1037－1101），字子瞻，號東坡居士，眉州眉山（今四川）人。元符三年（1100）五月蘇軾由海南詔徙廉州，路過澄邁時未遇其友趙夢得而留下此札，趙對落難海南的蘇軾照顧頗多。相較早年姿媚的書風，此帖風格渾厚雄強，線條的質感也更為豐富。藏鋒的渾圓起筆，配合勁利方折的用筆，加強了線條的厚度與力感。撇、捺、鉤等較多側鋒的筆劃，也都將力量貫穿至底，加強視覺上的強度。(20061206)&*Su Shih, style name Tzu-chan and sobriquet Tung-p'o chü-shih, was a native of Mei-shan (modern Szechwan) in Mei-chou. In the fifth lunar month of 1100, Su Shih was ordered in exile to move from Hai-nan Island to Lien-chou. While passing through Ch'eng-mai, he did not have a chance to see his friend Chao Meng-teh, so he left behind this letter. Chao had taken care of Su Shih, who had been banished to Hai-nan. Compared with the “charming” style of calligraphy from his earlier years, Su's style of calligraphy in this letter is strong and honest, the quality of the lines also richer. The concealed tip of the rounded first strokes of the brush is complemented by strong and sharply angular brushwork, accentuating the thickness and strength of the lines. The hooked and falling left and right diagonal strokes were done with a more slanted brush tip, all making for a sense of power that penetrates completely and thereby enhances the force in visual terms.(20061206)
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
