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符合的藏品

宋蘇軾書歸去來辭 卷

宋蘇軾書歸去來辭 卷

has been known along with Huang T'ing-chien(1045-1105), Mi Fu(1051-1107),and Ts'ai Hsiang(1012-1069.....more

781/910
明石芮軒轅問道圖 卷

明石芮軒轅問道圖 卷

Emperor’s visit to the hermit Kuang-ch’eng-tzu of K’ung-t’ung Mountain, who reputedly had discovered.....more

782/910
唐宋元畫集錦 冊 宋崔愨杞實鵪鶉

唐宋元畫集錦 冊 宋崔愨杞實鵪...

-and-flower painting. This leaf from the album "Collected Works of T'ang, Sung, and Yuan"bears neither seal.....more

783/910
清蔣溥絡緯圖 軸

清蔣溥絡緯圖 軸

of the painter Chiang T’ing-hsi, he also excelled at painting flowers. “Silk reeler” refers to katydids.....more

784/910
宋薛紹彭雜書 卷

宋薛紹彭雜書 卷

-ch’ing”, “Tso-mien”, and “T'ung-ch'üan” mounted together into a single handscroll. Judging.....more

785/910
元人雜書 卷 饒介書中峰幻住像偈

元人雜書 卷 饒介書中峰幻住像...

name Chieh-chih and sobriquets Hua-kai shan-chiao, Tsui-chiao, and Fu-ch'iu-kung t'ung-tzu.....more

786/910
清王鑑臨王蒙松陰丘壑 軸

清王鑑臨王蒙松陰丘壑 軸

。氣運得烘染之法,皴擦而無自撰之筆。此幀則仿王蒙,意雖有擬而實出於自運。筆意清奇,墨色雅澹,成於康熙乙巳,時年六十七歲。 &*Wang Chien was a native of T’ai-tsang.....more

787/910
清王鑑倣趙孟頫茂林蕭寺圖 軸

清王鑑倣趙孟頫茂林蕭寺圖 軸

。全幅典雅清麗。 &*Wang Chien, native to T’ai-ts’ang, Kiangsu, was the grandson of the renowned Ming scholar.....more

788/910
清王翬一梧軒圖 軸

清王翬一梧軒圖 軸

the window, a crane raises its wings, as though commencing a dance. A tall wu-t’ung tree rises in front.....more

789/910
清王原祁雲壑流泉圖 軸

清王原祁雲壑流泉圖 軸

」的繪畫觀,頗為近似現代石炭畫法。是以他的作品畫面重山複水、叢樹村落,縱橫錯雜,近看渾淆ㄧ片,遠看則景物虛實、高下遠近,頓見分明。&*Wang Yűan-ch’i was from T’ai-ts.....more

790/910
清張庚仿王蒙山水 軸

清張庚仿王蒙山水 軸

藏謹此一幅。 &*Landscape after Wang Meng Chang Keng Ch’ing dynasty Originally his personal name was T’ao.....more

791/910
唐人文會圖 軸

唐人文會圖 軸

no artist's signature was originally attributed to an anonymous T'ang artist. Bamboos and trees.....more

792/910
宋四家墨寶 冊 宋黃庭堅書苦筍賦 

宋四家墨寶 冊 宋黃庭堅書苦筍...

筆勢遒勁,中宮斂結,長筆外拓,英俊灑脫,顯示出山谷縱逸豪放的雅韻,並充分發揮傾側的動向美感。選自「宋四家墨寶」冊。&*Huang T'ing-chien, a native of Kiangsi.....more

793/910
元王蒙芝蘭室圖 卷

元王蒙芝蘭室圖 卷

absorbed Chao's methods, and further assimilated the fortes of T'ang and Sung masters, eventually.....more

794/910
清陳書看雲對瀑圖 軸

清陳書看雲對瀑圖 軸

the title of T’ai-shu (“Noble Lady”). She was one of the most famous female painters of the early Ch’ing.....more

795/910

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