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符合的藏品

清王原祁華山秋色 軸

清王原祁華山秋色 軸

with Yűan (1279-1368) brushwork than actual Mount Hua scenery, which served as a vehicle for his own.....more

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清弘?翠巘高秋圖 軸

清弘?翠巘高秋圖 軸

, that is, without contour or texture strokes. In his own inscription, Hung states that he was here.....more

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宋郭熙山莊高逸 軸

宋郭熙山莊高逸 軸

. Although heavily influenced by Li Ch’eng, he nevertheless had his own style. Kuo Hsi authored.....more

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宋范寬秋林飛瀑 軸

宋范寬秋林飛瀑 軸

the landscape style of Li Ch’eng and also studied the works of Ching Hao. Later he developed his own.....more

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宋十二名家法書 冊 黃庭堅荊州帖

宋十二名家法書 冊 黃庭堅荊州...

script also in a style of his own. In the third lunar month of 1095, not long before boarding.....more

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宋諸名家墨寶 冊 宋范成大書尺牘 

宋諸名家墨寶 冊 宋范成大書尺...

brush and vigorous forms,” he formed a style of his own. This work done in 1191 comes from the period.....more

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明周天球墨蘭 卷

明周天球墨蘭 卷

excelled at large and small ancient, clerical, running, and regular scripts, achieving his own style.....more

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清黃鉞繪時華紀瑞 軸

清黃鉞繪時華紀瑞 軸

weathered t’ai-hu stone are several rose bushes flourishing, each bud having its own attitude. Below.....more

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明文伯仁畫楊季靜小像 卷

明文伯仁畫楊季靜小像 卷

was done on paper and Wen Boren’s colophon written on silk, so the latter was the artist’s own inscription.....more

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唐周昉麟趾圖 卷

唐周昉麟趾圖 卷

followed the style of Chang Hsüan, but later he developed his own style. This painting is unsigned.....more

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無款豐綏先兆圖 軸

無款豐綏先兆圖 軸

by his own face in the mirror. &*1.劉芳如,〈無款豐綏先兆圖〉,收入國立故宮博物院編輯委員會編,《迎歲集福 — 院藏鍾馗名畫特展》(臺北:國立故宮博物院,1997年二月初版.....more

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元方從義神嶽瓊林圖 軸

元方從義神嶽瓊林圖 軸

;an Masters. He had an unusual style all his own reflecting a Taoist vision of the land as a realm.....more

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元黃公望九珠峰翠圖 軸

元黃公望九珠峰翠圖 軸

to develop his own distinctive style. This picture bears neither signature nor seal.....more

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明仇英春遊晚歸圖 軸

明仇英春遊晚歸圖 軸

of his own. With his fine and beautiful style, he was known as one of the Four Masters of the Ming.....more

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宋歐陽修集古錄跋 卷

宋歐陽修集古錄跋 卷

characters that are superbly wrought and extremely fluid. Looking at them is like seeing the man's own clear.....more

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