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符合的藏品
共找到 273 筆符合的資料
明吳偉仙蹤侶鶴圖 軸
, dry ink in this work represent a typical manner of his own. &* 吳偉（西元一四五九－一五○八年）湖北江夏人。字士英，號魯夫，更字次翁，又號小.....more
- 185/273
明項德新秋江雲樹圖 軸
. The refined and pale ink of Hsiang’s brush contains its own fluid quality. This work, inspired by Ni Tsan.....more
- 186/273
明文徵明蕉陰仕女圖 軸
-exemplified here. In his own inscription on the painting, Wen informs us that it was done on a spring.....more
- 187/273
明文徵明倣古山水 軸
.) traditions to create his own style, thus inspiring many later generations.&* 文徵明（西元一四七○－一五五九年），江蘇長洲.....more
- 188/273
明吳彬畫羅漢（第四嘎禮嘎尊者）...
（2004年秋），頁99-143。 &* 吳彬（活動於西元一五六八至一六二七年），字文仲，福建莆田人，流居金陵（今南京）。能書善畫，畫山水、佛像、人物皆能自立門戶，造形奇異迥別於前人。山水布置亦新奇而不摹古.....more
- 192/273
元俞和臨定武褉帖 冊
(1447-1513) wrote that Yu "…had a profound understanding of Chao Meng-fu's use of ink, but his own.....more
- 193/273
明丁雲鵬十八羅漢圖 卷
of these eighteen lohans with his own individual character and distinctive expression. Some are walking, some.....more
- 194/273
明張復秋山行旅圖 卷
landscapes followed those of Shen Zhou, but later he developed his own style. On the slopes of a bank.....more
- 195/273