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符合的藏品
共找到 407 筆符合的資料
明沈士充天香書屋圖 軸
landscape painting with Sung Mou-chin and Chao Tso. His works were known for their lush hills rendered.....more
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明趙左秋山紅樹圖 軸
麗富貴,而饒有溫潤文雅的趣味。 &*Chao Tso (style name Wen-tu) was a native of Sung-chiang, Kiangsu. As a landscape.....more
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明唐寅臨水芙蓉圖 軸
masters: in calligraphy he followed Chao Meng-fu, Li Yung and Yen Chen-ching; in painting Chou Ch’en.....more
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明唐寅花溪漁隱圖 軸
was written in the style of Chao Meng-fu (1254-1322) and is related to that on Conversation in the Women’s.....more
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明夏昶清風高節圖 軸
-1470) Ming Dynasty Hsia Ch’ang (style name Chung-chao; sobriquets Tzu-tsai chü-shih and Yü.....more
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明馬軾春塢村居圖 軸
物活動細節的描寫,運筆快速的雲頭皴與強烈對比的墨色暈染,瀟灑有氣勢。此種筆墨變化趣味,正是明代宮廷繪畫的主要特徵之一。&*Ma Shih (style name Ching-chan.....more
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明宣宗畫花下貍奴圖 軸
was Chu Chan-chi, was the grandson of Emperor Ch’eng-tzu (r.1403-1424). The fifth emperor of the Ming.....more
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明陳裸竹溪花塢圖 軸
, calligrapher and painter. His landscape style was after those of Chao Ch’ien-li, Chao Meng-fu and Wen.....more
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明趙左雲巖響瀑圖 軸
米非米之妙。 雨後雲山,滿紙溟濛之色。一溪新漲,如聞波湧之聲。用筆樸穆,寓意荒寒,往往佳作不以工穩勝也。 &* Chao Tso, whose style name was Wen-tu.....more
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明邊文進春花三喜 軸
高立竹上,引頸啼鳴,若加喝阻,不知何術乃能得此無人之態。叢竹、杜鵑紅綠相映,坡石莎草回護有情。筆墨傅彩,極樸摯穩厚。 &*Pien Wen-chin, style name Ching-chao.....more
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