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符合的藏品

清傳綮寫生 冊 芙蓉

清傳綮寫生 冊 芙蓉

still being conveying the idea. Throughout the use of brush and ink appears the influence.....more

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明陸治丹楓秋色 卷

明陸治丹楓秋色 卷

. The result is an utmost naturalness to the use of brush and ink, as seen in this work. Here.....more

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清石谿茂林秋樹 卷

清石谿茂林秋樹 卷

üan masters Wang Meng and Huang Kung-wang. However, his use of a blunt brush.....more

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宋人花王圖 軸

宋人花王圖 軸

to emphasize the relative importance of the flowers as the main theme of the painting. The use of brush.....more

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宋人法書(一) 冊 宋趙抃致知郡公明大夫尺牘

宋人法書(一) 冊 宋趙抃致知...

desolate and plain in character. His style followed that of Chung Yu(151-230)and his use of brush dud.....more

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宋人法書(三) 冊 宋范成大書尺牘

宋人法書(三) 冊 宋范成大書...

and the use of brush mature and reserved, differing from the unbridled quality of running script.....more

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清王時敏倣黃公望浮嵐暖翠圖 軸

清王時敏倣黃公望浮嵐暖翠圖 軸

Shih-min was seventy-nine years old, he displays a particularly lively use of brush and ink. &*1.陳昱.....more

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清王原祁仿黃公望秋山 軸

清王原祁仿黃公望秋山 軸

Yuanqi’s brushwork became quicker and bolder, featuring the direct use of cyanine blue, vegetable.....more

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清王原祁仿黃公望筆意 軸

清王原祁仿黃公望筆意 軸

Yűan-ch’i’s use of brush and ink is quite skilful. In this scroll Wang Yűan-ch’i was extremely.....more

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明人扇頭畫 冊 明陸治水墨山水

明人扇頭畫 冊 明陸治水墨山水

the style of the Yüan master Wu Chen (Chung-kuei), whose use of ink was his unique feature.....more

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明沈周蒼?高話圖 軸

明沈周蒼?高話圖 軸

in the use of the bursh; the ink is boldly and vigorously employed. Although the background.....more

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明董其昌葑涇訪古圖 軸

明董其昌葑涇訪古圖 軸

after discussing antiquity with some friends. The use of brush and ink is extremely cultivated.....more

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清郎世寧八駿圖 軸

清郎世寧八駿圖 軸

, the representation of the horses, figures, and willow tree reveal the use of shading techniques found in Western art.....more

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清郎世寧聚瑞圖 軸

清郎世寧聚瑞圖 軸

omens. The brushwork is steady and strong and the use of color is elegant and refined. The picture.....more

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清弘?翠巘高秋圖 軸

清弘?翠巘高秋圖 軸

following Yang Sheng’s brushwork (Yang was a T’ang artist who initiated the use of the boneless method.....more

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