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符合的藏品

明劉炤蘆雁圖 軸

明劉炤蘆雁圖 軸

was Lin Liang (fl. latter half of 15thc.). His use of brush and ink was free and unrestrained.....more

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宋四家墨寶 冊 宋米芾致彥和國士尺牘 

宋四家墨寶 冊 宋米芾致彥和國...

and reveals the use of a centered tip. The twists and turns are powerful and the tip sharp when exposed.....more

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元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

follow in the Chao Ling-jang (fl. ca. 1070-1100) style and the use of blue-and-green goes back to the T.....more

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元王蒙具區林屋 軸

元王蒙具區林屋 軸

were washed with ochre and red for a sense of autumn. The use of brush and color add spirit to the work.....more

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清黃慎王旼序榮集繪 冊 白梅茶花

清黃慎王旼序榮集繪 冊 白梅茶...

into the picture plane from the right. The use of color is very consistent and has an air of archaic.....more

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清石濤寫竹通景十二屏 軸

清石濤寫竹通景十二屏 軸

, and Yangchow. He excelled at landscapes, flowers, and orchids and bamboo. In neither brushwork, use.....more

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清郎世寧十駿犬霜花鷂 軸

清郎世寧十駿犬霜花鷂 軸

size horses and dogs. His distinctive style made use of Chinese tools and materials with western.....more

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元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

follow in the Chao Ling-jang (fl. ca. 1070-1100) style and the use of blue-and-green goes back to the T.....more

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元王蒙具區林屋 軸

元王蒙具區林屋 軸

were washed with ochre and red for a sense of autumn. The use of brush and color add spirit to the work.....more

219/268
宋夏珪溪山清遠 卷

宋夏珪溪山清遠 卷

designation "Ma-Hsia." This is the most important surviving work by Hsia Kuei. Hsia's use.....more

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宋郭熙早春圖 軸

宋郭熙早春圖 軸

Kuo captured the essence of spring with his evanescent and atmospheric use.....more

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五代南唐趙幹江行初雪圖 卷

五代南唐趙幹江行初雪圖 卷

with an upright brush, giving them a strength similar to bent steel. Chao Kan's use.....more

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宋劉松年畫羅漢 軸

宋劉松年畫羅漢 軸

. The handling of the brush and the use of colour in this work are very fine;especially.....more

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宋人松泉磐石 軸

宋人松泉磐石 軸

in Wu Yüan-chih's Red Cliff and the use of ink wash resembles that in Li Shan's Wind.....more

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宋李成寒江釣艇 軸

宋李成寒江釣艇 軸

and mountains are effervescent, yet full and voluminous. The use of the brush in describing the trees.....more

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