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符合的藏品

明袁尚統歲朝圖 軸

明袁尚統歲朝圖 軸

。 &*Painting for the New Year Yüan Shang-t’ung (1570-1661-) Ming dynasty Yüan Shang-t’ung.....more

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明莫是龍東岡草堂圖 軸

明莫是龍東岡草堂圖 軸

。 &* Mo Shih-lung, was a native of Hua-t’ing in Kiang-su, but later moved to Shanghai. An unusual.....more

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明藍瑛溪山雪霽 軸

明藍瑛溪山雪霽 軸

歲,正當盛年,故筆墨精整,設色明麗,而習氣未深,是藍氏傳世之佳作。 &*Lan Ying (style name T’ien-shu and sobriquets Tieh-sou and Shih.....more

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明丁雲鵬三生圖 軸

明丁雲鵬三生圖 軸

the ancient tale of the Three Births Stone. A certain Li Yüan of the T'ang dynasty (618-901) had.....more

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明唐寅震澤煙樹 軸

明唐寅震澤煙樹 軸

出筆墨清雅,意境雋永。 &*Trees Shrouded in Mist T’ang Yin (1470-1523) Ming Dynasty T’ang Yin (style names Tzu.....more

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清孫祜周鯤丁觀鵬畫十八學士圖 卷

清孫祜周鯤丁觀鵬畫十八學士圖 ...

,已受西法影響。&* When the T’ang emperor T’ai-tsung (r.627-649) established the Academy of Learning, and he.....more

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清王原祁畫中有詩圖 軸

清王原祁畫中有詩圖 軸

-name Mao-ching, sobriquet, Lu-t’ai, was a native of T’ai-ts’ang, Kiangsu. He was the grandson.....more

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集古圖繪 冊 明唐寅秋山

集古圖繪 冊 明唐寅秋山

明淨,漁夫扛網,行於堤上。三五枯樹配上轉紅的樹葉,空疏的景象,透露秋的蕭瑟。唐寅用流利細長的線條,來表現近岸的山石,樹亦頗具杈椏之美,山石染以赭紅,恰是落日返照,餘暉醒目。 &* T’ang Yin.....more

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元人雜書 卷 虞集書翰

元人雜書 卷 虞集書翰

. In the right room he wrote T’ao Yuan-ming poems on the wall; therrfore, it was called T’ao-an. In the left room.....more

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明董其昌霜林秋思 軸

明董其昌霜林秋思 軸

」。 &* Tung Ch’i-ch’ang was a native of Hua-t’ing, Kiangsu. His style name was Hsüan-tsai; his.....more

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明張宏應真觀梅圖 軸

明張宏應真觀梅圖 軸

. This painting, executed in 1630, depicts a lohan who seems fully aware of the teaching of the T.....more

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清張若靄畫鎮海寺雪景 軸

清張若靄畫鎮海寺雪景 軸

-hai Temple Chang Jo-ai (1713-1746 A.D.) Ch’ing dynasty A native of T’ung-ch’eng, Anhui, Chang Jo-ai.....more

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清蔣廷錫月來香圖 軸

清蔣廷錫月來香圖 軸

。 &* Chiang T’ing-hsi was a native of Ch’ang-shu, Kiangsu province. His style names were Yang-sun and Yu-c.....more

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清張照臨王榖祥梅花 軸

清張照臨王榖祥梅花 軸

,間作繪畫遣興。人物花卉都能,而且落筆不俗,特別是梅花,深為藝林推重,作品多是折枝小畫,不求工整精飾,隨意勾勒,疏花細蕊,自然有種瀟洒高雅的韻味。&* Chang Chao (tzu Te-t’ien.....more

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明董其昌書斯干之什 軸

明董其昌書斯干之什 軸

;an-tsai; sobriquet Ssu-po) was a native of Hua-t'ing (modern Shanghai). Having received his chin-shih.....more

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