搜尋:tzu y 在 書畫 分類當中

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明人祝壽書畫合璧 冊 群仙獻芝

明人祝壽書畫合璧 冊 群仙獻芝

,氣氛冷寂的感覺。 &* Yeh Chou (tzu P’iao-hsien, hao Hsüeh-yü) was a scholar of the late Ming.....more

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明夏昶奇石修篁圖 軸

明夏昶奇石修篁圖 軸

and sobriquets Tzu-tsai chü-shih and Yü-feng) was a native of K’un-shan.....more

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元人舊蹟 冊 張宇初書識語

元人舊蹟 冊 張宇初書識語

行書。凡十二行。每行字數不一。共一百六十四字。書識語一篇。款署。嗣天師無為識。鈐印三。無為。四十三代天師章。耆山。幅上有卞氏令之。林壑遺音。諸印。此幅今載故宮書畫錄卷三。&*Chang Yü.....more

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明陸治蔡羽書畫合璧 冊 虎丘圖

明陸治蔡羽書畫合璧 冊 虎丘圖

of Soochow, Kiangsu province. His style name was Shu-p’ing; his sobriquet was Pao-shan-tzu. He was famous.....more

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清鄒一桂畫墨梅 軸

清鄒一桂畫墨梅 軸

應皇帝旨意而畫,循規蹈矩不敢肆意放手,所以,作品多是用筆工整,用墨潔淨,著色穠艷,反失去一種平實眞率、自然生動的韻致。有時隨興戯筆的,卻有不少佳作。 &* Tsou I-kuei (tzu Y.....more

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明陸治蔡羽書畫合璧 冊 虎丘圖

明陸治蔡羽書畫合璧 冊 虎丘圖

of Soochow, Kiangsu province. His style name was Shu-p’ing; his sobriquet was Pao-shan-tzu. He was famous.....more

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明宣宗戲猿圖 軸

明宣宗戲猿圖 軸

Ch’eng-tzu (r.1403-1424). The fifth emperor of the Ming dynasty, he ruled from 1425.....more

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元倪瓚遠岫樹石圖 軸

元倪瓚遠岫樹石圖 軸

,然後駕著小船和鄉野的漁夫隱士往來。 雲林的山水具有特殊的風格,構圖常作一河兩岸的取景,畫中樹石的安排都很簡單,而且畫面很少塗抹顏色,有著簡樸、天真淡雅的韻味。&*Ni Tsan (tzu Yü.....more

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明丁雲鵬十八應真像 軸

明丁雲鵬十八應真像 軸

著類似卡通的趣味效果。 &* Ting Yün-p'eng (style name Nan-yü, sobriquet Sheng-hua chü-shih.....more

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清弘?畫萬壑祥雲 軸

清弘?畫萬壑祥雲 軸

、王原祁祖孫的影響。不過,他用筆純是中鋒,線條粗重繁密,加上結構森嚴,特別能够表現山領的渾厚峻拔的氣勢。&* Hung Wu (tzu Shu-chai, Tsui-yü; hao I-ju.....more

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清陳書仿王蒙夏日山居圖 軸

清陳書仿王蒙夏日山居圖 軸

was Shang-yüan ti-tzu but later she also adopted the sobriquet Nan-lou lao-jen. She married Ch’ien.....more

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清陳書山靜日長圖 軸

清陳書山靜日長圖 軸

esidence in Summer Ch’en Shu (1660-1736) Ch’ing Dynasty The woman artist Ch’en shu (sobriquet Shang-y.....more

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清程志道摹丁雲鵬羅漢 卷

清程志道摹丁雲鵬羅漢 卷

-tao Ch’ing dynasty Ch’eng Chih-tao (tzu, Yu-ch’uan) was a native of Wu-hsien, Kiangsu. The dates.....more

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明崔子忠畫蘇軾留帶圖 軸

明崔子忠畫蘇軾留帶圖 軸

坐樹下,皆張口談說。筆墨雅淡,描寫傳神。梅枝山石,用筆方整,是崔特色。 &*Ts’ui Tzu-chung was a native of Peiking. His style names were.....more

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清張庚仿王蒙山水 軸

清張庚仿王蒙山水 軸

and his style name or tzu was P’u-san. Later he changed his name to Keng and his tzu to P’u-shan. He.....more

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