搜尋:style 在 書畫 分類當中

符合的藏品

清余省百蝶圖 卷

清余省百蝶圖 卷

,更以枯筆繪出蝶翅鱗粉之狀,極精工之能事。 &* Yu Sheng, style name Ts’eng-san, sobriquet Lu-ing, was a native of Ch’ang.....more

871/1640
清蕭晨豐年瑞雪 軸

清蕭晨豐年瑞雪 軸

叢竹人家,雪壓垂柳。木橋橫江,二人緩緩行來,一持傘,一戴帽披蓑,皆弓身前進,不甚瑟縮,顯見濃濃寒意。 &* Hsiao Ch’en (style name Ling-hsi and sobriquet.....more

872/1640
清惲壽平燕喜魚樂 軸

清惲壽平燕喜魚樂 軸

” wash method in his repertoire and creating a new style, he became a leader in the genre. Among.....more

873/1640
明董其昌書白羽扇賦 軸

明董其昌書白羽扇賦 軸

for an almost unbounded style. 本幅 136.5x60.2公分、全幅 83公分 明思宗崇禎五年(1632) 類型:書法 型式:文字 董其昌 數位化執行單位:國立故宮博物院.....more

874/1640
清王鐸山水 軸

清王鐸山水 軸

,筆快速而健勁,墨韻濃潤,結構雖簡,蓋游神涉筆,而不失真意。 &* Wang To, tzu (style name) Chűeh-shih, was a native of Meng-chin.....more

875/1640
清董邦達倣王蒙萬疊芙蓉 軸

清董邦達倣王蒙萬疊芙蓉 軸

province, his style-name was Fu-ts’un and his sobriquet tung-shan. He took his chin-shih metropolitan.....more

876/1640
清張成龍仿張僧繇山水 軸

清張成龍仿張僧繇山水 軸

. Chang Cheng-lung (style-name Pai-yüu) was from K’ai-feng, Honan. He excelled at landscapes.....more

877/1640
清金廷標?泥圖 軸

清金廷標?泥圖 軸

’ien-lung emperor inscribed a line of verse lauding Chin’s use of symbolism. The style.....more

878/1640
明錢旭中流砥柱 軸

明錢旭中流砥柱 軸

birth and death dates are unkknown, and very little is known about his life. His style name was Tung.....more

879/1640
清董邦達三潭印月 軸

清董邦達三潭印月 軸

) and captured the elegance of Yüan painting, giving his style clarity and beauty. An old legend says.....more

880/1640
藝林清賞 冊 清周度疏林寒鴉

藝林清賞 冊 清周度疏林寒鴉

第四開。 &* Chou Tu (style name Szu-yü) was a native of Hangchou. Although there are few details.....more

881/1640
藝林清賞 冊 清徐恆蜜蜂芙蓉

藝林清賞 冊 清徐恆蜜蜂芙蓉

; Heng (act. mid-19th cent.) Ch’ing Dynasty Hsü Heng (style name Chu-p’ing; sobriquets Chu-p’ing.....more

882/1640
藝林清賞 冊 清楊大璧雲壑奔泉

藝林清賞 冊 清楊大璧雲壑奔泉

of mountains shrouded in mist. This painting has been executed in the style of Mi Fu and Mi Yu-jen.....more

883/1640
宋人集繪 冊 宋李迪秋葵山石

宋人集繪 冊 宋李迪秋葵山石

is a signature reading,” I Ti .”The style ,however, is a later, suggesting.....more

884/1640
藝林清賞 冊 清偉元布袋和尚

藝林清賞 冊 清偉元布袋和尚

. The style is rather free and cursory, but Wei Yüan has completely captured the expressive quality.....more

885/1640

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