搜尋:ink 在 書畫 分類當中

符合的藏品

清惲壽平竹石枯槎圖 軸

清惲壽平竹石枯槎圖 軸

in bluish-green along with a withered tree and rock in monochrome ink, creating for an interesting.....more

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清陸白?為長松圖 軸

清陸白?為長松圖 軸

brush wet with ink makes an impression and then is quickly lifted off the paper. Dot after dot.....more

677/779
元王蒙芝蘭室圖 卷

元王蒙芝蘭室圖 卷

of ink dots and color filled the entire painting surface with layer upon layer of rich textures.....more

678/779
清花卉畫冊 冊 清惲壽平虞美人

清花卉畫冊 冊 清惲壽平虞美人

at various angles as they appear to gaze about. The leaves were done with cyanine blue and ink.....more

679/779
清沈宗敬雙松圖 軸

清沈宗敬雙松圖 軸

. His brush force is archaic and powerful, being lofty and deep. Mostly using ink, he also used blue.....more

680/779
清張仲學畫歲朝鍾馗 軸

清張仲學畫歲朝鍾馗 軸

, the time for this painting is given as the lunar New Year. Chung K’uei sits holding an ink-laden brush.....more

681/779
清陳書夏日山居圖 軸

清陳書夏日山居圖 軸

Meng (1308-1385) and was able to master his ink methods. In the use of color, she introduced new.....more

682/779
宋人畫達摩像 軸

宋人畫達摩像 軸

in a fixed stare as if in deep meditation. He wears a red robe decorated with gold ink, making.....more

683/779
清王武花鳥 軸

清王武花鳥 軸

traces of the monochrome ink style of the flower painting master Ch’en Ch’un (1483-1544) of the Ming.....more

684/779
清金廷標戲嬰圖 軸

清金廷標戲嬰圖 軸

effects. He also painted architectural subjects and used the pai-miao ink outline technique. In 1760.....more

685/779
清李世倬對松山圖 軸

清李世倬對松山圖 軸

was extremely skillful and elegant. He liked to spread dry ink across the surface of a painting.....more

686/779
元明書翰第四十六冊 冊 徐渭書杜甫秋興八首

元明書翰第四十六冊 冊 徐渭書...

is expressed through his unrestrained “sketching ideas” style done in ink. In calligraphy, he followed.....more

687/779
元趙孟頫鵲華秋色 卷

元趙孟頫鵲華秋色 卷

landscapes. Through Zhao Mengfu's brush and ink as well as coloring, they have become even more animated.....more

688/779
清王翬夏山?雨圖 卷

清王翬夏山?雨圖 卷

is his masterful application of ink, which coordinated with radiant washes and colors, imparts a sense.....more

689/779
鏤繪集錦 冊 鶺鴒紅蓼

鏤繪集錦 冊 鶺鴒紅蓼

, indicating how the artist grasped the rich layers of wash layers. The addition of ink and other colors.....more

690/779

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