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符合的藏品

清顧大申秋日山居圖 軸

清顧大申秋日山居圖 軸

seems to have evolved from that of Tung Ch’i-ch’ang (1555-1636), but is neater and more precise.....more

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清王原祁倣黃公望山水 軸

清王原祁倣黃公望山水 軸

strokes in painting the mountains is especially successful. Wang Yüan-ch’i painted the landscape.....more

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清董邦達蘇堤春曉 軸

清董邦達蘇堤春曉 軸

and later served as minister of the Board of Rites. He started his landscape paintings with Tung Ch’i-ch’ang.....more

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清董邦達南屏晚鐘 軸

清董邦達南屏晚鐘 軸

paintings with Tung Ch’i-chang of the Ming dynasty as his model. He captured the brushwork.....more

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清王原祁山川煥采圖 軸

清王原祁山川煥采圖 軸

發,層次分明,結構嚴謹。畫山畫樹,狀似草草,而筆墨精練,實從錘鍊中出也。&* Wang Yűan-ch’i, a native of Kiangsu province.....more

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清方琮石壁秋林 軸

清方琮石壁秋林 軸

texture stroke methods of the early 18th century painter Wang Yüan-ch’i. Furthermore.....more

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清張宗蒼竹亭觀瀑圖 軸

清張宗蒼竹亭觀瀑圖 軸

painter he was a student of both Huang Ting (1660-post.1730) and Wang Yüan-ch’i (1642-1715.....more

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清張宗蒼松陰高士圖 軸

清張宗蒼松陰高士圖 軸

(1660-1730), he thereby absorbed the style of Huang’s teacher, Wang Yüan-ch’i (1642-1715). In 1751.....more

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清錢載畫墨梅御題 軸

清錢載畫墨梅御題 軸

and died 1793. His style name was K’un-i and his sobriquets Tuo-shih, P’ao-tsun, and Wan-sung Chü.....more

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清錢維城畫梅茶水仙 軸

清錢維城畫梅茶水仙 軸

in the fine and delicate painting style of Tsou I-kuei (1688-1772) combined with an emphasis.....more

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清惲壽平燕喜魚樂 軸

清惲壽平燕喜魚樂 軸

essayist and poet of the Six Gentleman of P’i-ling. Considered one of the Six Masters of Early Ch’ing.....more

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清張照書御製芝蘭曲 軸

清張照書御製芝蘭曲 軸

, and he was skilled in calligraphy. Chang Chao at first studied the calligraphy of Tung Ch'i-ch'ang.....more

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明董其昌書白羽扇賦 軸

明董其昌書白羽扇賦 軸

窮。&*Though Tung Ch'i-ch'ang was a chin-shih civil service candidate, he led a rather uneventful.....more

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明董其昌書杜律 冊

明董其昌書杜律 冊

所作。董氏傳世草書不多,本冊受二王及懷素風格影響,然運筆構字、線條粗細、轉折起伏,皆較早期稍富變化,通幅多用中鋒圓筆,筆乾墨燥,時出飛白,洋溢動態之美。&*Tung Ch'i-ch'ang.....more

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清嚴宏滋採芝仙圖 軸

清嚴宏滋採芝仙圖 軸

A.D.) Ch’ing dynasty A skilled calligrapher and painter, Yen Hung-tzu (tzu P’i-hsü) was noted.....more

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