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符合的藏品

明宣宗畫子母雞圖 軸

明宣宗畫子母雞圖 軸

, the delicate outlines enhanced with dry texturing and white washes to make them stand out.....more

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明沈周溪橋訪友 軸

明沈周溪橋訪友 軸

is strong and the ink rich and hoary. The style is unlike his early work, which presents dry.....more

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清惲壽平寫生花卉 冊 牡丹

清惲壽平寫生花卉 冊 牡丹

of a peony, the petals are merely sketched with a dry brush, which has also been used to shade the light.....more

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清王時敏倣王蒙山水 軸

清王時敏倣王蒙山水 軸

. The rocks and mountains are drawn in fine “ox hair” texture-strokes applied with a dry, firm brush.....more

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清王翬倣王蒙秋山讀書圖 軸

清王翬倣王蒙秋山讀書圖 軸

strokes. After Wang Hui roughly outlined the forms in light ink, he then used a dry brush to execute.....more

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清王原祁秋山圖 軸

清王原祁秋山圖 軸

mountain form. This work in dry brushwork delineates the outlines of rocks and trees for the mountains.....more

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清周亮工集名家山水 冊 明程正揆泉石林巒

清周亮工集名家山水 冊 明程正...

Ch’i-ch’ang (1555-1636). The artist has used a blunt brush and pale dry inks to execute.....more

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清王原祁仿宋元人山水 冊

清王原祁仿宋元人山水 冊

with a dry brush. Finally, he would add highlights and emphasis with dark black ink. Thus when looked.....more

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明徐賁獅子林圖 冊

明徐賁獅子林圖 冊

the famous gardens of Soochow. The entire set was painted in monochrome ink. Hsü used a dry brush.....more

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清惲壽平畫山水 冊 高樹村居

清惲壽平畫山水 冊 高樹村居

with literati painting traditions of the Song and Yuan dynasties. Dry brushwork briefly outlines the mountain.....more

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明吳偉仙蹤侶鶴圖 軸

明吳偉仙蹤侶鶴圖 軸

, dry ink in this work represent a typical manner of his own. &*  吳偉(西元一四五九-一五○八年)湖北江夏人。字士英,號魯夫,更字.....more

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明文嘉仿沈周廬山詩畫 軸

明文嘉仿沈周廬山詩畫 軸

. Quite differently, Wen used dry brush strokes to draw the contours of the mountain and rocks.....more

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唐王維千岩萬壑 卷

唐王維千岩萬壑 卷

溪澗、湍泉 水榭 迴廊 石磴、棧道 山徑 江河、湖海 瀑布 高士(士人、隱士) 侍從(侍女、童僕) 百姓 寒林.枯樹 松 竹 藤蘿 騾.驢 臺閣 茅草屋 寺廟 亭 橋 欄杆 籬笆、圍牆 帆船 傢俱(.....more

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明文徵明畫竹 冊

明文徵明畫竹 冊

and dry ink. The variety of ink tonality and brushwork is tremendous. From Wen’s inscription, this a.....more

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清王翬倣倪瓚畫山水 軸

清王翬倣倪瓚畫山水 軸

, rocks, and earthy hillocks by using dry brushwork, light ink, and angular texture strokes. In addition.....more

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