清惲壽平畫山水 冊 高樹村居
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- 資料識別：
- 故畫001189N000000002
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 惲壽平
- 主題與關鍵字：
- 溪澗、湍泉 房舍
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 22x30.2公分、全幅 31.3x66.3公分
- 關聯：
- 石渠寶笈續編（寧壽宮），第五冊，頁2882&*故宮書畫圖錄，第二十四冊，頁44-47&*故宮書畫錄（卷六），第四冊，頁124-125&*1.陳昱全，〈清惲壽平高樹村居〉，收入何傳馨主編，《山水合璧：黃公望與富春山居圖特展》（臺北：國立故宮博物院，2011年五月初版一刷），頁349-350。 &*惲壽平（1633-1690），江蘇武進人。初名格，字壽平，後以字行。詩文為毘陵六逸之首，繪畫與王時敏等人齊名，合稱四王吳惲。自幼隨伯父惲向學畫，受其影響，很早就接觸宋元文人畫傳統。 用乾筆簡約勾勒山水樹石，其中點綴土石平臺和卵石礬頭，表現靜謐山居生活的一景。自識：「今人摹子久。多欲相似。余學子久。多不相似。然觀世俗所謂是者。又未若余之不似之似也。」顯示惲氏臨古講求意似而不細究形象和筆法上的雷同。 (20110609)&*Yun Shouping (original name Ge, style name Shouping [by which he later went]) was a native of Wujin in Jiangsu. In poetry and prose, he was leader of the Six Gentlemen of Piling, achieving fame in painting equal to that of Wang Shimin and becoming part of a group known as the “Four Wangs, Wu, and Yun.” Learning painting from his uncle Xiang since childhood, he came under his influence and early was in contact with literati painting traditions of the Song and Yuan dynasties. Dry brushwork briefly outlines the mountain and tree forms, and flat outcroppings and round alum-head rocks dot the scenery, representing a scene of living serenely in the mountains. At the end of Yun Shouping’s inscription is the following passage: “People nowadays imitate Huang Gongwang, many seeking similarity [with this style]. In my study of Huang Gongwang, I mostly do not seek resemblance. So when looking at what passes for [imitations of Huang’s painting] today, they cannot compare to my ‘similarity of non-resemblance.’” This shows that Yun Shouping laid particular emphasis on resemblance to the idea without paying special attention to outward form or verisimilitude of brush method. (20110609)
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
