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符合的藏品
共找到 108 筆符合的資料
明文徵明江南春圖 軸
of the mountains is little more than outlines with just a bit of dry ink and extremely few texture.....more
- 93/108
明董其昌夏木垂陰圖 軸
dark to light and wet to dry. The composition is complex but not confused.....more
- 94/108
明陸治仙山玉洞圖 軸
Cheng-ming. In later years, Lu used increasingly dry ink and more forceful brushwork to create a style.....more
- 98/108
元明人題錢譜雜文 冊 楊維禎書...
and taut, and the calligraphy eccentric. The differences between moist and dry.....more
- 99/108
名畫琳瑯 冊 明文嘉石湖秋色
ink was applied to a preliminary layer of light ink just as it began to dry, and thus the two layers.....more
- 101/108
清王時敏倣黃公望浮嵐暖翠圖 軸
with dry brushwork texturing for the mountain forms create a painting with an atmosphere of pure refi.....more
- 102/108
清王原祁仿黃公望筆意 軸
are succinct, with a dry brush outlining the rocks and trees, after which texturing and a few washes.....more
- 103/108
清黃鉞繪時華紀瑞 軸
here using dry lines and textures to which light ink from a moist brush was applied. Several Chinese.....more
- 104/108
清董邦達灞橋覓句 軸
gujian. In landscape painting, he excelled at using dry strokes to outline the forms, his texturing.....more
- 105/108