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清沈振麟繪十二月花神 冊 紅梅綠竹

清沈振麟繪十二月花神 冊 紅梅...

. The details of his life are not known, but it is certain he was active around 1851. A court painter.....more

16/86
清魯鼐畫花鳥 冊 梅竹麻雀

清魯鼐畫花鳥 冊 梅竹麻雀

實不差。&*Lu Nai (tzu Shih-ho) was a native of Shan-yin in Chekiang. The details of his life.....more

17/86
元人秋景戲嬰 軸

元人秋景戲嬰 軸

. They differ, however, in the application of colors and details such as the eyes.&*1.劉芳如,〈元人秋景戲嬰〉,收入.....more

18/86
宋人平疇呼犢 軸

宋人平疇呼犢 軸

, as are the details of the calf with its open mouth, wrinkled nose and wagging tail. The artist was obviously.....more

19/86
清王原祁仿王蒙山水 軸

清王原祁仿王蒙山水 軸

tiniest details. This work was executed in 1705 when the artist was sixty-eight years old. 本幅 41.3x28.....more

20/86
清王原祁山川煥采圖 軸

清王原祁山川煥采圖 軸

. The composition is complex yet organized and the details, likewise, are intricate yet ordered. The artist’s.....more

21/86
清方琮石壁秋林 軸

清方琮石壁秋林 軸

似倪雲林,畫面充滿一片荒寒蕭瑟的氣氛。&* No details of the life of Fang Ts’ung (style name Huang-shan) have been.....more

22/86
清王武花卉寫意 卷

清王武花卉寫意 卷

a lively sense to the work. Though the brushwork is sketchy, none of the details have been lost.....more

23/86
藝林清賞 冊 清周度疏林寒鴉

藝林清賞 冊 清周度疏林寒鴉

第四開。 &* Chou Tu (style name Szu-yü) was a native of Hangchou. Although there are few details.....more

24/86
明宣宗花鳥 卷

明宣宗花鳥 卷

details, combining fine-line and sketchy manners. The regular-script inscription reads, “Imperial.....more

25/86
宋沈子蕃緙絲山水 軸

宋沈子蕃緙絲山水 軸

, but they are quite successfully done here. Details of this work were also brushed with ink. &*1.本社,〈宋沈子藩緙絲.....more

26/86
清唐岱孫祜合倣李唐寒谷先春 軸

清唐岱孫祜合倣李唐寒谷先春 軸

landscapists. The composition is not fragmented with details. The texture stroke for the mountains.....more

27/86
宋緙絲文石錦雞 軸

宋緙絲文石錦雞 軸

奇石 雉(錦雞.雉類) 百合花 蜀葵 石榴 白頭翁 國立故宮博物院 緙絲特展圖錄,頁42-43、98&*緙絲風華:宋代緙絲花鳥展圖錄,頁69-72&*國立故宮博物院緙絲,圖21&*淺藍地設色織。一對.....more

28/86
五代後蜀黃筌竹林鵓鴿圖 軸

五代後蜀黃筌竹林鵓鴿圖 軸

to the minutest details of feathers. This painting is traditionally attributed to Huang Ch'ü.....more

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元陳仲仁百祥圖 軸

元陳仲仁百祥圖 軸

and ornaments. Through his utilization of refined and studied brushwork, and the attention to details.....more

30/86
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