故宮書畫錄(卷八),第四冊,頁54&*故宮書畫圖錄,第一冊,頁123-124&*黃筌(卒於西元九六五年),四川成都人,字要叔。十七歲即任職後蜀畫院,曾師法刁光胤、李昇等名家的長處,而有自己的面貌。 幾隻珠頸斑鳩活動於郊原上,其中二隻飛翔於低空,另外三隻正漫步於竹叢邊。流露出在大自然間怡然自得之情景。作者注重寫生,對鳥的形狀以至神態,都極用心觀察,如羽毛層層疊覆的變化也都詳加描繪。本幅舊傳為黃筌之作,與本院所藏的另一幅宋人竹石鳩子圖在構景方面十分相近。 &*Huang Ch'üan, style-named Yao-shu, hailed from Ch'eng-tu in Szechwan. At age 16, he was appointed to serve in the Academy of Painting in Szechwan. He learned from Tiao Kuang-yin, T'eng Ch'ang-yu, Li Sheng and some other masters, but Huang Ch'üan was able to establish his own unique style. Several spot-neck doves busy themselves in the countryside. Two of them are flying while the other three stroll by the bamboo grove. This delightful painting conveys a happy scene of contentment in nature full of activities. The painter so much emphasized on the observation of the shapes, and spirit of birds. He did not neglect to draw from life even to the minutest details of feathers. This painting is traditionally attributed to Huang Ch'üan. There is a painting entiltled Bamboo, Rocks, and Doves by a Sung artist in our collection, bearing a close resembrance to this Huang's picture in the arrangement of compositional elements. &*1.王耀庭,〈傳五代後蜀黃筌竹林鵓鴿圖〉,收入王耀庭主編,《傳移模寫》(臺北:國立故宮博物院,2007年初版),頁92。