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符合的藏品

明陸治春耕圖 軸

明陸治春耕圖 軸

, and slopes are all delicately painted, revealing the basic manner and feeling of Wu School.....more

91/495
清沈顥畫懸崖垂瀑 軸

清沈顥畫懸崖垂瀑 軸

phenomena. Accomplished in all the gentlemanly arts, literary composition, calligraphy and painting.....more

92/495
明孫克弘畫端陽景 軸

明孫克弘畫端陽景 軸

paintings of landscapes, flowers and birds, and orchid and bamboo are all excellent. In his later years.....more

93/495
宋人隼擊圖 軸

宋人隼擊圖 軸

trunks, hibiscus leaves, reeds, and so forth all indicate the school style of Ming painter Lu Chi. 本幅 154.....more

94/495
明沈周寫生 冊 菊

明沈周寫生 冊 菊

was a native of Ch’ang-chou, Kiangsu. His paintings of landscapes, flowers, birds and animals are all.....more

95/495
明文徵明花卉 冊 洛浦凌波

明文徵明花卉 冊 洛浦凌波

, Kiangsu. He was skilled in all of the literati arts: poetry, prose, calligraphy and painting. Wen Cheng.....more

96/495
明項聖謨蟠桃圖 軸

明項聖謨蟠桃圖 軸

, but they were all defeated. 本幅 111.3x31.4公分、全幅 62公分 類型:繪畫 型式:靜態圖像 項聖謨 數位化執行單位:國立故宮博物院 明項聖謨蟠桃圖 軸 故畫.....more

97/495
元人舊蹟 冊 朱德潤致吳季實教諭尺牘

元人舊蹟 冊 朱德潤致吳季實教...

for the characters all reveal the influence of Chao Meng-fu, but Chao's use of a rounded brush was more elegant. Ch.....more

98/495
唐懷素自敘帖 卷

唐懷素自敘帖 卷

and forceful. The strokes were all rapidly executed and the characters.....more

99/495
名畫琳瑯 冊 元吳鎮溪流歸艇

名畫琳瑯 冊 元吳鎮溪流歸艇

; brushwork is thick and firm. All produce a unique feeling of antiqueness. 本幅 44x26.7公分、對幅 44x26.7 公.....more

100/495
名繪集珍 冊 唐閻立德問道圖

名繪集珍 冊 唐閻立德問道圖

tradition of scholarship as he was the imperial architect for all the imperial halls, ponds.....more

101/495
明顧懿德春綺圖 軸

明顧懿德春綺圖 軸

produced commissioned works, his paintings are few, and consequently all the more treasured. 本幅 51.7x32.4公.....more

102/495
明冷謙群仙圖 卷

明冷謙群仙圖 卷

in all manners of actions and poses. According to the artist’s inscription at the end of the scroll.....more

103/495
清楊大章畫秋渚眠禽 軸

清楊大章畫秋渚眠禽 軸

. The ducks, hibiscus, and wild chrysanthemums are all painted realistically using washes with few.....more

104/495
清方琮石壁秋林 軸

清方琮石壁秋林 軸

contemporaries Li Shih-cho and Fang Shih-shu. All there employed a style clearly evolved from the dry-brush.....more

105/495
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