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清金廷標白描羅漢 冊 羅漢(二)

清金廷標白描羅漢 冊 羅漢(二...

-ch’eng who was good at painting human figures and flowers. During the Southern Tour of the Ch’ien.....more

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清王幼學畫瑞樹圖 軸

清王幼學畫瑞樹圖 軸

經隨朗世寧學習油畫,擅長工筆花鳥畫,院藏另有一件一七四四年他與唐岱等合作的「院本新豐圖」 &*Auspicious Tree Wang Yu-hsűeh(18th c.) Ch’iug Dynasty.....more

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清唐岱畫歸隱圖 軸

清唐岱畫歸隱圖 軸

’ang Tai (1637-after 1752) Ch’ing Dynasty T’ang Tai was a native Manchurian. He served as a court.....more

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清唐岱風雨歸舟圖 軸

清唐岱風雨歸舟圖 軸

-?) Ch’ing Dynasty T’ang Tai was a native of Manchuria, member of the Cheng-pai banner. His style name.....more

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清余省花卉 軸

清余省花卉 軸

, was a native of Ch’ang-shu, Kiangsu province. His father, Yü Hsün, and his younger brother, Y.....more

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清余省百蝶圖 卷

清余省百蝶圖 卷

,更以枯筆繪出蝶翅鱗粉之狀,極精工之能事。 &* Yu Sheng, style name Ts’eng-san, sobriquet Lu-ing, was a native of Ch’ang.....more

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清唐岱沈源合筆豳風圖 軸

清唐岱沈源合筆豳風圖 軸

教之中,則為豳雅,述其政教之成,則為豳頌,以戒成王。畫面上方有張照所抄錄的全篇詩文,圖中情境全是依照詩文內容而加以表達,設色明麗豐富,用筆熟練,是幅詩畫合一的典型宮廷繪畫。 &* T’ang Tai.....more

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元戴淳匡廬圖 軸

元戴淳匡廬圖 軸

,頗有蒼老而穩健的感覺。明末清初的龔賢,在畫 風上與這幅畫有極相近之處。&*Tai Ch'un (Style name; Hou-fu) was a native of Ch'ien-t'ang.....more

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元陶復初畫秋林小隱 軸

元陶復初畫秋林小隱 軸

襍沓,微覺細碎。&*T'ao Fu-ch'u was a native of T'ien-tai, Chekiang. His style name was Ming-pen; his.....more

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明戴進畫山水 軸

明戴進畫山水 軸

signature (“By Tai Wen-chin of Ch’ien-t’ang”) and his seal (“Ching-an”). 本幅 184.5x109.4公分、全幅 128.6公分 類型:繪畫.....more

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明戴進撫松觀瀑 軸

明戴進撫松觀瀑 軸

to that of Tai Chin or a follower. Tai Chin’s style was based on the Southern Sung works of Ma Yü.....more

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清余省畫蘆雁 卷

清余省畫蘆雁 卷

。於描寫雁的動止休憩情態,栩栩饒有生趣。&* Yü Hsing (tzu Tseng-san, hao Lu-t’ing) was a native of Ch’ang-shu.....more

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清世祖畫鍾馗 軸

清世祖畫鍾馗 軸

,除「畫鍾馗」外,迄未發現他本,此作或係宮中畫師代筆,援以犒賞臣功。&*Chung K’uei Emperor Shih-tzu(1638-1661) Ch’ing Dynasty Shih-tzu.....more

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明戴進畫紈牛 軸

明戴進畫紈牛 軸

,貌類胡戎。其身穿華服,腰配彎刀,帛魚與海螺,左手執鞭,右手握糜以控牛,精神專注。紈牛淺毛驪色,羊角犬面,不似稚犢,反類靈獸。背後巨樹垂藤,遠處煙靄,景色恬靜。 &* Tai Chin.....more

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明沈周畫松岩聽泉圖 軸

明沈周畫松岩聽泉圖 軸

, style name Ch’i-nan, sobriquet Shih-t’ien, was a native of Ch’ang-chou, Kiangsu. He was an excellent.....more

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