清金廷標白描羅漢 冊 羅漢（二）
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- 資料識別：
- 故畫003387N000000002
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 金廷標
- 主題與關鍵字：
- 江河、湖海 羅漢（應真、尊者） 佛道侍者 魚
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 18x14.1 公分、全幅 31.7 公分
- 關聯：
- 秘殿珠林續編（乾清宮），頁363&*故宮書畫錄（卷八），第四冊，頁155&* 金廷標（活動於西元一七六０至一七六七年），字士揆，烏程人。工人物、花卉。乾隆南巡時，進「白描羅漢冊」，遂得供職內廷，頗得高宗讚賞。廷標喜用挺健之筆，近唐寅畫風，在盛清宮廷畫家中別具一格。 白描繪一尊者與三童子在海濤上戲珠之景。畫家用筆細謹，人物衣描纖秀流暢，海濤水紋更是筆筆交待，曲柔優美，羅漢造型與習見之布袋和尚相類，腴潤和藹。 &* Chin T’ing-piao (style name; Shih-k’uei) was a native of Wu-ch’eng who was good at painting human figures and flowers. During the Southern Tour of the Ch’ien-lung emperor (r. 1736-1795), he presented “An Album of Lohans in Plain Lines.” He subsequently received a position at the Inner Court and was praised by the Ch’ien-lung emperor. Chin T’ing-piao was fond of using a stiff brush in a style similar to that of the Ming dynasty painter T’ang Yin (1470-1523). Thus, among the painters at the Ch’ing dynasty court, Chin T’ing-piao possessed a special style. This painting in the plain-line manner is a scene of a lohan and three attendants playing with a pearl on a wavy ocean. The artist used delicate brushwork to render the drapery of the figures elegantly and fluently. Each stroke of the linear pattern of the waves is clear, gentle, and beautiful. The plump and benevolent appearance of this lohan is very similar to that of the commonly seen monk, Pu-tai. &*故宮書畫圖錄，第二十七冊，頁188-191
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
