搜尋:palace style 在 水墨 分類當中

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宋劉松年補衲圖 軸

宋劉松年補衲圖 軸

that survive today are three lohan paintings in the National Palace Museum. The style of this painting.....more

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清董邦達楓谿觀瀑高宗御題 軸

清董邦達楓谿觀瀑高宗御題 軸

Dynasty Tung Pang-ta was a native of Fu-yang, Chekiang. His style name was Fu-ts’un and his sobriquet.....more

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清沈荃書唐人早朝詩 軸

清沈荃書唐人早朝詩 軸

,但行書功力,仍有可觀之處,尤此巨幅大字,誠屬不易。&*Shen Ch'uan, known also by his style name Chen-jui and sobriquet I-t'ang.....more

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明董其昌臨爭坐位帖 冊

明董其昌臨爭坐位帖 冊

) was a native of Hua-t'ing, Kiangsu province. His style name was Hsüan-tsai and he was known.....more

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明董其昌臨爭坐位帖 冊

明董其昌臨爭坐位帖 冊

, Kiangsu province. His style name was Hsüan-tsai and he was known by the sobriquet Ssu-pai. He.....more

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民國臺靜農臨石門摩崖 軸

民國臺靜農臨石門摩崖 軸

隸書。款識甲午,是八十二歲所書。 本件為臺靜農先生遺贈。 &* T’ai Ching-nung (style name Po-chien and late sobriquet Ching-che.....more

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明文徵明蕉陰仕女圖 軸

明文徵明蕉陰仕女圖 軸

(style-name Cheng-chung; sobriquets T’ing-yün-sheng and Heng-shan-chü-shih) was a native.....more

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清高鳳翰大富貴圖 軸

清高鳳翰大富貴圖 軸

painted this with his left hand, the style is still strong and free. He is thus ranked as one.....more

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清吳昌碩芍藥 軸

清吳昌碩芍藥 軸

archaic yet fresh and lively in appearance. This work was donated to the National Palace Museum by Mr. Chu.....more

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明王守仁山水畫真跡 軸

明王守仁山水畫真跡 軸

was influenced by the landscape style of the Yuan painter Ni Tsan both in composition and technique.....more

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明沈粲書應制詩 軸

明沈粲書應制詩 軸

,沈氏講究地用行楷書、章草及今草三體書之,其中行楷書精整,章草古樸,今草則筆法放縱。 &*Shen Ts’an (style name Min-wang), a native of Hua-t’ing.....more

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清吳昌碩篆書七言聯 軸

清吳昌碩篆書七言聯 軸

and the style names Changshi and Cangshi. He also had the sobriquets Foulu, Kutie, Pohe, Laofou.....more

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清弘?松塢雲濤 卷

清弘?松塢雲濤 卷

from Wang Yüan-ch’i, which would explain the similarity of the composition and style with those.....more

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明邊文進胎仙圖 卷

明邊文進胎仙圖 卷

能辦。惟筆墨與邊景昭不類。款字與項元汴印,皆後人所增。 &* Pien Wen-chin, style name Ching-chao, was a native of Sha county.....more

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清院本漢宮春曉圖 卷

清院本漢宮春曉圖 卷

故宮博物院 石渠寶笈續編(重華宮),第四冊,頁1896&*故宮書畫錄(卷四),第二冊,頁309&*故宮書畫圖錄,第二十一冊,頁433-444&*Spring Dawn at a Han Palace.....more

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