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明邵彌畫蓮華大士像　軸

for an exceptionally fine and delicate look. Other areas, such as the drapery, are rendered more.....more

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. The drapery lines are done using coarse strokes with thick ink. Though many of the lines.....more

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drapery lines, revealing the features of Li Kung-lin's (1049-1106) and Chao Meng-fu's (1254-1322) st.....more

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and disproportion of the heads to the bodies. To outline the drapery, ch’en Hung-shou used his distinctive angular.....more

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-time. The fine drapery lines twist like filaments with stops and starts. The brushwork of the stool.....more

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, the man with a bowl under a willow could be him. The brushwork of the drapery is as solid as wire.....more

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. The work was done in gold ink with fine flowing lines. The drapery patterns are complete.....more

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in 18 sections was painted in baimiao (ink outlines) with a centered brush. Drapery lines are round.....more

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of the drapery is slightly angular, but that of the clouds and waves is softer. The clouds.....more

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results for all. This muggy scene is rendered in ink and the drapery lines quiver. Although attributed.....more

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strokes. The drapery lines are taut and fluid, and the leaves are simplified as light and dark dots.....more

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