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明唐寅臨水芙蓉圖　軸

masters: in calligraphy he followed Chao Meng-fu, Li Yung and Yen Chen-ching; in painting Chou Ch’en.....more

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excelled at poetry and painting, being influenced by the landscape painting of Chao Meng-fu (1254-1322.....more

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drapery lines, revealing the features of Li Kung-lin's (1049-1106) and Chao Meng-fu's (1254-1322) styles.....more

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》，繪子貢見原憲，以昭示君子以德樂道之理。本幅山石無皴，僅鉤勒輪廓，後填以青綠。點葉用石綠外染赭石，人物衣紋行筆柔暢有力，有唐人古風。&*Chao Meng-fu was a scholar.....more

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calligraphy was likewise unique and reflected ancient origins. Chao Meng-fu's study of Chin and T.....more

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, similar to that of Chao Meng-fu (1254-1322), reflects that of the early Ming. The speed of some.....more

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怡悅也。&*Chao Meng-fu, a member of the Sung Imperial family, resided in Wu-hsing, Chekiang. His style.....more

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, was gifted at poetry and painting. In landscape painting, he followed after Chao Meng-fu.....more

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'ing(709-785) and Hsü Hao (703-782). Chao Meng-fu(1254-1322) was not exaggerating when he wrote.....more

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-hsiao (fl. Ca. 1240-1310). After Chao Meng-fu (1254-1322), few artists depicted orchids, a theme which.....more

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and the grandson of Chao Meng-fu. He was one of the Four Great Yüan Masters. Depicted here is a field.....more

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