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- 資料識別：
- 故書000016N000000000
- 資料類型：
- 類型:書法
- 型式:文字
- 著作者：
- 朱瞻基 明宣宗（Emperor Xuanzong Ming Dynasty）
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 明宣宗宣德六年（1431）
- 格式：
- 本幅 47.3x23.9公分、全幅 49.5公分
- 語言：
- 漢文
- 關聯：
- 石渠寶笈初編（御書房），下冊，頁1093&*故宮書畫錄（卷二），第一冊，頁8-9&*宣宗（西元一三九九－一四三五年，一四二六－三五在位）名瞻基。他對於繪畫的愛好與成就，一般認為僅次於三百年前的宋徽宗。他的書法早期偏於精秀，後來逐漸改用中鋒圓筆，增加厚重穩健的筆意。此幅是宣德六年（一四三一）賜給郎中程南雲的作品，結字近於趙孟頫，反映出明初以來的風尚。從一些運筆快速，起筆與收筆不加修飾的筆觸中，顯露出作為皇帝的英武剛健的氣慨。&*The Hsuan-tsung Emperor (r. 1425-1435), considering his achievements in painting and calligraphy, is ranked only second to the greater artist-emperor Hui-tsung (r. 1101-1125). Hsuan-tsung's early calligraphy was influenced by those of the early Ming court calligraphers Shen Tu and Shen Ts'an. His refined style gradually gave way to rounded, centered brushwork with an element of heaviness. This work was done in 1431 and given to the official Ch'eng Nan-yun. The style, similar to that of Chao Meng-fu (1254-1322), reflects that of the early Ming. The speed of some brushstrokes resulted in no adornment to the lifting and application of the brush, thus reflecting the emperor's straightforward imperial character.&*明宣宗的書法成就往往為畫名所掩，後人評其「書出沈華亭兄弟，而能於圓熟之外，以遒勁發之。」本幅為宣德六年（一四三一）賜給郎中程南雲的作品，結字近於趙孟頫（一二五四－一三二二），反映出明初以來的風尚，但運筆較為快速，起筆收筆不加修飾。程南雲，永樂年間(一四０三－一四二四)以能書授中書舍人。善書畫，尤精篆隸。在《宣宗御制詩集》中也收有宣德七年賜程南雲的〈草書歌〉。(20120407)&*Emperor Xuanzong's accomplishments in calligraphy are frequently overshadowed by his renown in painting, with later critics stating that it is "from that of the Shen Brothers (Du and Can) of Huating. Not only was he capable at mellow brushwork, he also gave it vigor." This work, done in the sixth year of his reign (1431), was presented to Director Cheng Nanyun. The character forms are similar to those of the famous Yuan dynasty calligrapher Zhao Mengfu (1254-1322), reflecting trends found in calligraphy since the early Ming dynasty. Here, however, the application of the brush was quicker, the places where the brush was applied and lifted appearing unornamented. Cheng Nanyun was a Secretariat Drafter gifted at calligraphy in the Yongle reign (1403-1424). Excelling at painting and calligraphy, he was especially talented in seal and clerical script. Anthology of Poetry by Emperor Xuanzong also includes a poem entitled "Song on Cursive Script" done for Cheng Nanyun in 1432.(20120407)&*宣徳帝の書法の見事さは画名に隠されてしまうことが多い。後人はその書を「宣徳帝の書法は沈粲、沈度兄弟の円熟した書風を継承しているが、より雄勁である。」と評している。本作は宣徳6年（1431）に郎中程南雲に下賜された作品である。結字は趙孟頫（1254－1322）に近く、明代初期以来の風潮が反映されているが、運筆はやや素早く、起筆と収筆にはなんら飾るところがない。程南雲、永楽年間（1403－1424）に書法に優れていたことから中書舎人に任ぜられた。書画を善くし、特に篆書と隷書を得意とした。『宣宗御制詩集』にも宣徳7年に程南雲が賜った「草書歌」が収録されている。 釈文：御製上林冬暖詩。蓬島雪融瓊液。瑤池水泛冰澌。暁日初臨東閣。梅花開遍南枝。宣徳六年十月二十七日。賜郎中程南雲。 (20120407)
- 管理權：
- 國立故宮博物院
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http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
