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清王翬倣王蒙秋山讀書圖　軸

in painting, they also took him to view and copy the works of ancient masters in many great.....more

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盛。第二卷祭壇，畫皇后蒞壇致祭。第三卷採桑，畫皇后盛裝坐殿下，觀諸王命婦採桑情景。第四卷獻繭，畫皇后坐殿下，眾嬪妃跪進蠶繭。此卷為第一卷。 &*This was an ancient court.....more

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excelled at large and small ancient, clerical, running, and regular scripts, achieving his own style.....more

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stream in the far distance, creating an inviting realm for the ancient immortals. The coloring.....more

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contemporary manners in a search for ancient methods. In this painting is a scene with pomegranate blossoms.....more

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as one of the Four Masters of the Ming. In ancient times during the Shang and Chou dynasties.....more

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. He eschewed copying ancient manners. The fourth leaf of the album “Scenes of the Twelve Months.....more

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collection. Many of his imitations of ancient works still survive. Here, “Three Yang, an Auspicious Start.....more

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in the Chia-ching era. Ku also quoted from histories and ancient texts in his inscriptions. The strokes.....more

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of seven-character ancient verse entitled “Song of the P'i-p'a”. A host and guest are shown here.....more

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on the ancient I-ching. The brushwork is fine yet strong, dense yet not chaotic. Light washes.....more

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