符合的藏品

共找到 42 筆符合的資料

宋四家墨寶　冊　宋蘇軾書次韻秦...

：「豐妍瘦硬各有態」。本福字形溫潤勻穩，不以略肥而失韻也，為蘇書佳品。&*Su Shih（style name Tzu-tan and sobriquet Tung-p'o chu-shih.....more

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, one of the ten scenic sites of West Lake at Hangchow. The bridge was located outside the Ch’ing-p’o.....more

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吳鎮（一二八O－一三五四）的作品，目前僅見此幅，無意間為陸治學畫歷程留一實證。陸治用濕筆點染，墨色濃淡變化豐富，深得吳鎮墨韻神采。對陸治來說，掌握各家筆墨特性，是習畫必經之路，因此除了直接向文徵明（一.....more

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-p'o (1036-1101) and Huang T'ing-chien (1045-1105), but is more lively and untrammeled. This work.....more

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條，細勁遒邁，揮灑間已具日後用筆型態。 &*Lu Chih was a native of Soochow, Kiangsu province. His style name was Shu-p.....more

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Su Tung-p'o (1036-1101) summed it up just right by saying, "[Ou-yang Hsiu] used a pointed brush.....more

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´ang-shih; his sobriquets were Tou-lu and K´u-t´ieh, and he also signed his works P.....more

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; sobriquets Fou-lu, K’u-t’ieh, P’o-he, Lao-fou, and Ta-lung) was a native of An-chi, Chekiang.....more

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&*陸治原本從學於文徵明（一四七O－一五五九），再從文氏探索王蒙（一三O八－一三八五）、倪瓚（一三O一－一三七四）各家筆法，進一步從宋元繪畫大傳統中提煉出自己的風格。本幅畫作即兼有宋人構圖的意念和元人.....more

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安排，和倪瓚（一三O一－一三七四）的格局隱隱相合；設色淡雅沉靜，也彷彿文徵明（一四七O－一五五九）的氣息；而皴擦點染，一任自然，又賦有元人的格調。陸治天資、學力兼具，因此能夠解析也能加以綜合，而後皆能.....more

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用筆較為接近。他用赭墨輕染山石，又用花青點染林木，色調清雅，將寒冬時節學子讀書的情景，烘托出寧謐的感覺。（王競雄）&*陸治從學於文徵明（一四七O－一五五九），詩文、書法和繪畫都受到影響。二十九歲為友人.....more

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among the previous generation.” In addition, one of Hui-ch'ung's paintings inspired Su Tung-p'o (1036.....more

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