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五代南唐巨然秋山問道圖 軸

五代南唐巨然秋山問道圖 軸

artist who carried the style of his elder contemporary Tung Y'an (fl. 937-975) on to fresh ground.....more

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宋馬遠乘龍圖 軸

宋馬遠乘龍圖 軸

. Because he and his contemporary Hsia Kuei (fl.1180-1230) often concentrated their compositional.....more

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宋李成寒江釣艇 軸

宋李成寒江釣艇 軸

are steady. The artist here was obviously familiar with the style of Li Ch’eng and Kuo His (fl.11th c.....more

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宋人枇杷猿戲圖 軸

宋人枇杷猿戲圖 軸

of Yi Yuanji (fl. ca. 2nd half of 11th c.). Yi Yuanji, a native of Changsha in Hunan, was the greatest.....more

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宋人江帆山市 卷

宋人江帆山市 卷

painter Yen Wen-kuei (fl. latter half of 10th c.-first half of 11th c.) is said to have excelled.....more

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明仇英秋江待渡 軸

明仇英秋江待渡 軸

a lacquer artist, he later met Chou Ch’en (fl. 1450-1535), under whose tutelage he gradually gained fame.....more

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明仇英蕉陰結夏 軸

明仇英蕉陰結夏 軸

by the prominent professional painter Chou ch’en (fl. 1500-1535), who became ch’iu’s teacher. Gradually.....more

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明朱芾蘆洲聚雁圖 軸

明朱芾蘆洲聚雁圖 軸

。 &*Geese amid Rushes Chu Fu (fl. 1368-1398) Ming Dynasty Chu Fu had tzu (style name) Meng-pien and hao.....more

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明林良秋鷹 軸

明林良秋鷹 軸

成,用筆粗放流暢,僅加染少許的淡彩,有水墨淋漓之趣,並有氣勢磅礡,樸質無華的感覺。 &*The Eagle in Autumn Lin Liang (fl. 1457-1487) Ming.....more

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明仇英桐陰晝靜圖 軸

明仇英桐陰晝靜圖 軸

涼之韻。仇英畫法精麗艷逸,畫樹亦如山石人物,筆筆週到。 &*Meditating Under the Shade of the Pirmiana Tree Ch’iu Ying (fl.ca.....more

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清畫院畫十二月月令圖四月 軸

清畫院畫十二月月令圖四月 軸

to that found in Chiao Ping-chen’s (fl. ca. 1689-1726) “Landscape and Buildings,” suggesting that cross.....more

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元龔開鍾進士移居圖 卷

元龔開鍾進士移居圖 卷

follower of the great T'ang painter, Ts'ao Pa (fl. 8th c.), but Kung's method of description was somewhat.....more

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明唐寅山水 卷

明唐寅山水 卷

show the stylistic qualities of Chou Ch’en (fl. 1450-1535); thus is often neglected the fact of Shen’s.....more

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清花卉畫冊 冊 清惲壽平牡丹

清花卉畫冊 冊 清惲壽平牡丹

to the “boneless” method of washes used by Xu Chongsi (fl. latter half of 10th c.), but with his own.....more

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明周天球墨蘭 卷

明周天球墨蘭 卷

-hsiao (fl. Ca. 1240-1310). After Chao Meng-fu (1254-1322), few artists depicted orchids, a theme which.....more

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